A NOVEL THAT READERS and critics have been eagerly anticipating for over a decade, Gilead is an astonishingly imagined story of remarkable lives. John Ames is a preacher, the son of a preacher and the grandson (both maternal and paternal) of preachers. It’s 1956 in Gilead, Iowa, towards the end of the Reverend Ames’s life, and he is absorbed in recording his family’s story, a legacy for the young son he will never see grow up. Haunted by his grandfather’s presence, John tells of the rift between his grandfather and his father: the elder, an angry visionary who fought for the abolitionist cause, and his son, an ardent pacifist. He is troubled, too, by his prodigal namesake, Jack (John Ames) Boughton, his best friend’s lost son who returns to Gilead searching for forgiveness and redemption. Told in John Ames’s joyous, rambling voice that finds beauty, humour and truth in the smallest of life’s details, Gilead is a song of celebration and acceptance of the best and the worst the world has to offer. At its heart is a tale of the sacred bonds between fathers and sons, pitch-perfect in style and story, set to dazzle critics and readers alike.
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MARILYNNE ROBINSON is the recipient of a 2012 National Humanities Medal, awarded by President Barack Obama, for “her grace and intelligence in writing.” In 2013 she was awarded South Korea’s Park Kyong-ni Prize for her contribution to international literature. She is the author of Lila, winner of the National Book Critics Circle Award and a finalist for the National Book Award; Gilead, winner of the 2005 Pulitzer Prize for Fiction and the National Book Critics Circle Award; and Home, winner of the Orange Prize and the Los Angeles Times Book Prize, and a finalist for the National Book Award. Her first novel, Housekeeping, won the Hemingway Foundation/PEN Award. Robinson’s non-fiction books include The Givenness of Things, When I Was a Child I Read Books, Absence of Mind, The Death of Adam, and Mother Country, which was nominated for a National Book Award. She lives in Iowa City, where she taught at the University of Iowa Writers’ Workshop for twenty-five years.
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