The festival of insignificance: A Novel - Rilegato

“There is a timeless quality to his philosophy about the importance of laughter...Kundera is still the powerful and incisive writer he always was.” (New York Times Book Review)

“Compelling...That Kundera has his tongue half in his cheek is part of the charm... offers both a continuation of Kundera’s signature investigations and a reaction to the toxicity of the present day.” (Los Angeles Times)

“Kundera doesn’t present himself as a priest of the novel who, having been inducted into its higher mysteries, now deigns to share his brilliance with mere mortals. He is simply one character among others in the novel, curious, perplexed, and amused by the spectacle of human nature.” (New Republic)

“Kundera is a master at uniting disparate characters by tracing their intersecting journeys, and by allowing resonant words inside the head of one character to sing inside the thoughts of another.” (The Atlantic)

“An entertaining divertissement, a lightly comic fiction blending Gallic theorizing and Russian-style absurdity...This is, in short, just the book for an idle afternoon spent sipping espresso and watching the passing show on the Boulevard Saint-Michel or Connecticut Avenue.” (Michael Dirda, Washington Post)

“Stunningly profound...a late-career confection which, in its compact slimness, re-proves Kundera’s chops when it comes to overlapping narratives and beautifully expressing the junk and clutter of the modern world.” (NPR Books)

“Slender but weighty, thoroughly cerebral...It comes as a welcome corrective to so much American-style realist fiction, which in heavy doses can blur into a kind of sameness...what is moving about this novel is its embrace of what has always driven Kundera, the delicate state of living between being and nothingness. Far from rehashing this theme, it presses it into new form: shorter, tighter, fired by aging rather than by coming of age. It would be a poor fit for Hollywood, but it’s a perfect one for Kundera, and for anyone who has looked at life in hindsight.” (Boston Globe)

“This slight but wonderful novel offers its own distinct brand of pleasure... a fitting capstone on an extraordinary career.” (Benjamin Herman, Slate)

“[Kundera] stands in the West as the representative Eastern European author of the second half of the 20th century-and the most celebrated Czech writer since Kafka... a wily, playful, feather-light novella...It seems fitting that he should end his career not with a bang but a giggle.” (Wall Street Journal)

“This novel is a fitting bookend to Kundera’s long career intersecting the absurd and the moral.” (Publishers Weekly)