The Girls - Brossura

"[A] quietly affecting portrait . . . Each of the Witkovsky sisters is clearly a formidable woman."
--Los Angeles Times

"MOVING . . . Helen Yglesias enters a world underexplored in recent
fiction . . . women living alone into their 80s and 90s."
--The New York Times Book Review

"FIERCE, HOPEFUL . . . Yglesias's piercing insight into intractable family dynamics is lightened by a wicked sense of humor."
--Newsday

It had been the little kids in the family who heard Miami as Theirami - Grandma and Grandpa's Ami, Aunt Naomi's Ami, Aunt Eva's Ami, Uncle Max's Ami, all the way down the Witkovsky family line.  That was fine with Jenny.  Their Ami, not hers.  Jenny had never wanted any part of Anybody's Ami.  She was gald that her own children had never claimed the place.
        They had been a large family, seven brothers and sisters plus Mama and Papa: four girls, as they were still called into their nineties, "the girls," and three boys, "the boys" into their eighties.  The males died younger, died, in Miami, one after the other, though Mama went first; then Lionel, out of the family order, a middle brother; then Papa; then the eldest brother, Stanley; and recently powerful Max, dead of prostrate cancer as if he were any old body and not the head of a huge moneymaking industry - clothing factories, retail stores, real estate, investment banking.  Philanthropy, of course.  Dead anyway, before his two older sisters and his two younger, leaving only Mama and Papa's four daughters still to go, with Jenny the last of the last, the youngest, arrived in Miami International Airport, arrived at the doorway of God's waiting room, as the old joke had it.  Not to die herself, but to help her two oldest sisters die, Eva and Naomi, hovering, endlessly horribly hovering on the brink.  Eva was ninety-five, Naomi was ninety, Flora eighty-five, and she, Jenny, was eighty.  Neat arrangement, the five-year intervals.  "Every five years makes a generation," Gertrude Stein had written somewhere, and was right, at least about these four sisters.
        But the immediate job before Jenny was to get herself transported from the airport to the beach.  Not easy.  Miami was treating Jenny as heartlessly as Jenny was disowning Miami.  Though she had clearly told the porter that she needed the SuperShuttle to the beach, he had dropped her and her heavy luggage at the deserted end of a platform where everything was passing her by.  She saw herself as if on film - a long shot of a white-haired woman stranded in a chaotic scene of cars, buses, limos, vans, cop cruisers, taxis, motorcycles careening by in a roar of sound, strangely muffled.  This old woman who was herself wore a thin black wool suit, a silk knit top visible at the jacket's opening, real pearls glowing against the dark fabric, a mink coat slung over one arm, and a covering her only slightly rounded shoulders a cashmere shawl (in case the plane became chilly or a sudden cold spell hit Miami).  Her swollen feet were crammed into soft black kid shoes, and the off-black hose were badly wrinkled at the ankles.  Nevertheless.  No little-old-lady-in-tennis-shoes image for this woman.  Elegance, if it killed.  It would certainly wound.  Her feet would ache for a night and a day.
        She must not die in Miami.  She would die in New England where she lived.  Or in New York City, where Mama and Papa and her three brothers were buried.  Actually, the family plot was located in Brooklyn among the massed graves of what Jenny's daughter called cemetery slums.  For herself, Jenny didn't really care where she died as long as she was cremated and the urn buried under the white lilac bush behind her studio in Maine.
        Forget Miami, forget the family plot in Brooklyn.  Concentrate on here and now.
        "Aren't we supposed to go out in order, oldest first?" Naomi on the telephone yesterday morning, begging Jenny to come help her with her dying, though not in plain words naturally, adding an unspoken bargaining plea to Jenny and God that Eva go first.  Naomi had cancer.  Eva had no diseases but old age.  Jenny herself had no jurisdiction, and it looked as if God was not going to oblige.  Naomi was going to die first.  Jenny had come, answering her next oldest sister Flora's cry for help as well.  "You have to come down, Jenny, I can't do this alone."  The four sisters, together, ninety-five, ninety, eighty-five, and eighty.  She laughed, this youngest sister of eighty, though there was nothing to laugh about.
        So here she was.
        She had flown in from Banger, Maine, and was stifling in her northern costume.  The afternoon air was hot, humid, heavy with exhaust.  Exhaust.  Miami had already exhausted her and she had hardly arrived.  There hadn't been a tourist killing in Miami for several months, but she fit the perfect victim profile and would probably revive the trend.  She reminded herself that she was, in fact, a minor actor in the New York intellectual scene, she was Somebody, however ridiculously middle-class pretentious Nobody she seemed at the moment.  It had been a mistake to aim for elegance.  She should have come as Nobody in worn jeans and her brilliantly colored down jacket, made in China.  With the mink over her arm, she was tightly clutching a green cloth carryall imprinted with the Time magazine logo; nothing could have announced more plainly that her valuables were in the cloth bag.  She had placed her larger piece of luggage too close to her feet, and she was in danger of stumbling over it without making a move.
She put her hand on her chest to help her breathing; the air was like hot tea.  She waited.  Someone or something must come along to help.  A cop car skidded past, more like a kiddy-car.  Resolutely leaving her luggage unattended, she stepped out into the traffic and waved for help with the arm holding the Time carryall.  The cop toy went right by, but a second appeared immediately behind it.  She waved frantically.  The driver was determined to ignore her.  She placed herself squarely in his way.
        The young cop swung to a stop and inquired in disgust if she was trying to kill herself.
        "Right in the line of traffic, lady? Not too smart?"
        Apparently a question, but he didn't wait for an answer.
        "What're you doing back here, anyway? You coming or going?  Know where you're headed?"
        "I have a reservation on the SuperShuttle, officer," she said.  She'd try good manners, the great placater.
        "You belong all the way down there, lady."
        "I told the porter and this is where he dropped me.  He said the shuttle would pick me up at this spot," and added, to indicate that she wasn't thoroughly addled, "The shuttle to Miami Beach."
        She had stepped back onto the platform, close to her luggage.  Now the cop's disgust was for the porter.  "Asshole," he muttered under his breath, and took off on foot, leaving his kiddy-car behind.  At least she hoped "asshole" was for the porter, and that the parked car meant he was coming back.  Vehicles roared around it and him, respectful enough of his uniform and his raised hand to keep from killing him.  She wouldn't have wanted him to die for her unless that was the only way out.
        In a moment he commandeered a shuttle bus, empty except for the driver and another fellow busy with a clipboard.  Silent and sullen, they obeyed the cop's orders.  The clipboard guy hopped out, loaded her and her luggage in, asked in English with a strong Spanish accent where she was going and if she had a reservation.
        She called up her best manner for the cop first.  "I can't thank you enough, officer. Thank you so much."
        Clipboard mimicked her in Spanish, repeating her words in a faint falsetto.  She would pretend she didn't understand Spanish.  She gave him the address on Collins Avenue and added, "Yes, I do have a reservation."
        "Miami Beach?  You should be down the other end, lady.  You can't expect a pickup here.  We don't do that."
        She hated to be called "lady" or "madam" or "ma'am," or by her first name by strangers.
        What, then, what in the world would she liked to be called?
        The cop, back in his kiddy-car, stuck his head out.  "You get this nice lady where she's going, you get her to her destination.  Understand?"
        "Yes yessir sure sure," Clipboard agreed, and once in the bus relieved himself in a long string of Spanish.
        Nice lady. Worse, worse.  Time to c...