'Every once in a while - if you are very lucky - you come upon a novel so marvelous and enchanting and rare that you wish everyone in the world would read it, as well. The Good Thief is just such a book - a beautifully composed work of literary magic. That masterpieces don't come along very often only makes it more wonderful to experience' (Elizabeth Gilbert (author of Eat, Pray, Love))
'A confident whirl of a read, with pathos and drama nicely juxtaposed' (Guardian)
'Every once in a while - if you are very lucky - you come upon a novel so marvelous and enchanting and rare that you wish everyone in the world would read it, as well. The Good Thief is just such a book' (Elizabeth Gilbert, author of Eat, Pray, Love)
'A sensitive tale, beautifully told' (She magazine)
'It may be too quaint to imagine there are still families reading aloud together at night (so many Web sites, so little time), but if you're out there, consider Hannah Tinti's charming first novel. Set in the dark woods of 19th-century New England, The Good Thief follows a bright, one-handed orphan through enough harrowing scrapes and turns to satisfy your inner Dickens' (Washington Post)
'Tinti has written a lightening strike of a novel - beautiful and haunting and ever so bright. She is a twenty-first-century Robert Louis Stevenson' (Junot Diaz)
'Tinti is lavish with her storytelling gifts, which are prodigious' (New York Times Book Review)
'Tinti ...has created one of the freshest, most beguiling narratives this side of Oliver Twist...Ren... is a child for our own time: loving, wary and ravenously hungry for home' (Oprah magazine)
'[a] moody, twist and assured first novel.... Tinti secures her place as one of the sharpest, slyest young American novelists' (Entertainment Weekly)
'Reminds you why you fell in love with reading in the first place' (Boston Globe)
Fingersmith meets Deadwood, The Crimson Petal meets Brokeback Mountain - filmic, juicy, dramatic historical fiction of the most delicious kind.