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9781330424995: A Giacometti Portrait (Classic Reprint)
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Alberto Giacometti was born in Switzerland and became a student of the arts early in life. He travelled to Paris in his early twenties and became a painter, sculptor and printmaker. Throughout his life and work he focused on three core themes, standing women, busts and a man in movement. He experimented with surrealism and cubism and kept a riotously colourful list of acquaintances and contemporaries including Picasso and Miró.

Giacometti was in many ways the perfect subject for a study on the creative process. He was bohemian but still driven. James Lord, an author and his biographer, agreed to sit for a portrait by the artist and this book is the result of his recording of those days. He did not merely experience the day to day activity in the studio or Giacometti's many idiosyncrasies, Lord recorded the artist's emotional state and the tribulations and distractions that occurred over the 18 days of sitting. Lord shows us a man who seems irritable but warm, engaging but absorbed in his work.

'Giacometti's Portrait' details Alberto's fixation on his younger brother as a model for his work, his messy surroundings and the cigarette ash dropping to the floor as he became distracted. Creatives of all kinds will appreciate the reliance of Giacometti on the ritual and instinctive in striving to create a meaningful work of art. The two eggs the artist needed to eat, the two glasses of beaujolais and the two cups of coffee that were required are familiar to all of us from the student writing an essay to the artist creating a masterpiece. The earthly fortifications that surround the creation of art which is supposed to transcend them remain fascinating.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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  • EditoreForgotten Books
  • Data di pubblicazione2018
  • ISBN 10 1330424999
  • ISBN 13 9781330424995
  • RilegaturaCopertina flessibile
  • Numero di pagine76
  • Valutazione libreria

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Altre edizioni note dello stesso titolo

9780374515737: Giacometti Portrait

Edizione in evidenza

ISBN 10:  0374515735 ISBN 13:  9780374515737
Casa editrice: Farrar Straus & Giroux, 1980
Brossura

  • 9780374161996: A Giacometti portrait [Gebundene Ausgabe] by

    Rilegato

  • 9781528340182: A Giacometti Portrait (Classic Reprint)

    Forgot..., 2018
    Rilegato

  • 9789333646062: Giacometti portrait [Hardcover]

    Facsim..., 2016
    Rilegato

  • 9781334997211: Giacometti Portrait (Classic Reprint)

    Forgot..., 2016
    Rilegato

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Descrizione libro Paperback. Condizione: New. Print on Demand. Alberto Giacometti was born in Switzerland and became a student of the arts early in life. He travelled to Paris in his early twenties and became a painter, sculptor and printmaker. Throughout his life and work he focused on three core themes, standing women, busts and a man in movement. He experimented with surrealism and cubism and kept a riotously colourful list of acquaintances and contemporaries including Picasso and Mirà . Giacometti was in many ways the perfect subject for a study on the creative process. He was bohemian but still driven. James Lord, an author and his biographer, agreed to sit for a portrait by the artist and this book is the result of his recording of those days. He did not merely experience the day to day activity in the studio or Giacomettiâs many idiosyncrasies, Lord recorded the artistâs emotional state and the tribulations and distractions that occurred over the 18 days of sitting. Lord shows us a man who seems irritable but warm, engaging but absorbed in his work. âGiacomettiâs Portraitâ details Albertoâs fixation on his younger brother as a model for his work, his messy surroundings and the cigarette ash dropping to the floor as he became distracted. Creatives of all kinds will appreciate the reliance of Giacometti on the ritual and instinctive in striving to create a meaningful work of art. The two eggs the artist needed to eat, the two glasses of beaujolais and the two cups of coffee that were required are familiar to all of us from the student writing an essay to the artist creating a masterpiece. The earthly fortifications that surround the creation of art which is supposed to transcend them remain fascinating. print-on-demand item. Codice articolo 9781330424995_0

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Descrizione libro Paperback. Condizione: new. Paperback. Alberto Giacometti was born in Switzerland and became a student of the arts early in life. He travelled to Paris in his early twenties and became a painter, sculptor and printmaker. Throughout his life and work he focused on three core themes, standing women, busts and a man in movement. He experimented with surrealism and cubism and kept a riotously colourful list of acquaintances and contemporaries including Picasso and Miro. Giacometti was in many ways the perfect subject for a study on the creative process. He was bohemian but still driven. James Lord, an author and his biographer, agreed to sit for a portrait by the artist and this book is the result of his recording of those days. He did not merely experience the day to day activity in the studio or Giacometti's many idiosyncrasies, Lord recorded the artist's emotional state and the tribulations and distractions that occurred over the 18 days of sitting. Lord shows us a man who seems irritable but warm, engaging but absorbed in his work. 'Giacometti's Portrait' details Alberto's fixation on his younger brother as a model for his work, his messy surroundings and the cigarette ash dropping to the floor as he became distracted. Creatives of all kinds will appreciate the reliance of Giacometti on the ritual and instinctive in striving to create a meaningful work of art. The two eggs the artist needed to eat, the two glasses of beaujolais and the two cups of coffee that were required are familiar to all of us from the student writing an essay to the artist creating a masterpiece. The earthly fortifications that surround the creation of art which is supposed to transcend them remain fascinating. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. Excerpt from Giacometti Portrait1 Giacometti had gone to London on Tuesday. He was anxious to see the rooms at the Tate Gallery in which his retrospective exhibition is to be held in the summer. Although he likes London and has friends there, he always feels that he cannot spare much time from his work and consequently planned to be away only a few days, returning to Paris on Friday. We had agreed that as soon as he got back I would pose for him. His idea was to do merely a quick portrait sketch on canvas. It would take but an hour or two, an afternoon at most.Saturday was the twelfth of September. I went to the studio about three o'clock. It would have been no surprise to discover that he hadn't returned yet. His plans are always subject to unexpected change. But I found him sitting in the room where the telephone is, staring at the floor. When I asked him how it had been in London, he said, "All right." Then he looked at me curiously for a minute and said, "Shall we work for a little while?"We went down the open passageway to his studio. He began at once to work with the clay of a slender female figure about two feet tall which had been his constant preoccupation for the past weeks. Occasionally he would murmur, "Merde!" and from time to time he reached out and tweaked the clay of a smaller figure on the stand beside him."We'll work for a little while," he said, "just for a little while, because later I want to work on the bust of Diego."Diego Giacometti is Alberto's brother, assistant, model, and closest fri Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9781330424995

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