The Song of the Earth: A Novel - Rilegato

The year is 2057. John Firth Baker, the first genetically engineered visual artist, is murdered at the age of nineteen. He leaves behind a body of drawing, painting, and sculptures, culminating in the thirteen seminal works known to the world as Baker's Dozen. Within a decade of his death, Baker becomes a cult figure. A retrospective of his work is mounted at the Virtual Museum of Manual Art. The Song of the Earth is his biography - organized around reproductions of his art and based on journals, e-mails, newspaper clippings, and interviews with those who knew him.

Baker grows up in an age transformed by technology. Twenty years earlier, his mother had her fertilized egg illegally endowed with genes that would give him potential to become a visual artist. His is a world in which genetic profiles, space travel, and gender reassignment are common. Global warming has altered the environment. A planetary war between women and men rages, familial structures have shattered, and new religions contend with the old.

Yet human needs remain the same. Baker is obsessed with sex, he searches for love, he seeks immortality, first through religion and then through art. Inspired by his dreams, nightmares, and fantasies, Baker rejects digital technology and teaches himself to make images with his own hands. When he reveals the secret of his gifts, his life is in danger.

In prose, poetry, and pictures, Hugh Nissenson creates a new kind of narrative about the inner life of the artist and a cautionary tale about the human desire to control evolution. Spare, original, and extraordinary, The Song of the Earth brilliantly captures another time and place and presents a haunting portrait of an artist as a young man in the twenty-first century.

Visionary.

Early praise for The Song of The Earth:

"Any reader who believes that, after Joyce, the novel can no longer give rise to the absolutely innovative and the absolutely astonishing will be shocked into revelation by Hugh Nissenson's The Song of the Earth. Its subterranean counterminings disclose the roiling demons in the cellar of the human mind, but that is hardly all. Nissenson's art of the future is twinned with the deepest history of imagination, and The Song of the Earth is visionary at its powerful and entirely amazing root. It is a novel literally of image-making; it is a novel written against the sacred and, strangely, for the sacred; it is a novel like no other." (Cynthia Ozick, author of The Puttermesser Papers and Quarrel & Quandary)

"Tremendously imaginative and creative, Hugh Nissenson has created something unusual and unique." (Paula Cooper, Paula Cooper Gallery, NYC)

"A cool fascination awaits readers on every page. And then there are Nissenson's pictures"so brilliant that is seems the book were made to illustrate them." (Kirkus Reviews)

Praise for THE TREE OF LIFE:

"This small novel works like a laser beam, penetrating the American experience with searing and concentrated intensity." (Los Angeles Times)

"A strikingly original work, harsh and beautiful." (Newsweek)

"Extraordinary." (The New York Times)

"A work of art." (The New Yorker)