Gun Love: A Novel - Rilegato

Praise for Gun Love:

“Dreamy...as if to suggest the self-delusion of the real-life actors involved....the writing is crisp and the images sharp.” — New York Times Book Review

“Offer[s] a glimpse of what a poetics of gun violence might look like... In this book, the machinery of violence purchases a sense of belonging—of thrilling, life-or-death simplicity.” — Katy Waldman, The New Yorker.com 

"This book feel like a great lost murder ballad by the likes of Johnny Cash or Nick Cave...There are echoes here of other great chroniclers of violence, such as Cormac McCarthy, and this is one of those rare books that the reader might wish to be a few dozen pages longer, to spend some more time in this fully realised world." — Alexander Larman, The Observer

“Through a memorable coming-of-age story set in America’s margins, Clement makes all of these things true at once: A gun is a valentine, a secret-bearer, a penitent, a world destroyer, an exposed belly, an insurance policy, a sudden act of God.” — Salon

"Clement creates a weird poetry of murderous force. Chekhov’s narrative principle—that a gun hung on the wall in the first act must eventually go off—has become a metaphorical rule of storytelling. To reflect American reality, Ms Clement puts a gun on every wall in every room." — The Economist

“Though this world is harrowing, it's also fortified with ample wit and tenderness. The sweet sorrow of doomed maternal love is at the novel's thrumming center, as is the author's cockeyed affection for the region. "In our part of Florida everything was puzzled," Pearl tells us. Gun Love potently illuminates this puzzled land, and the complicated fates of those who dwell in the pockets visitors won't find on a map.” — O, The Oprah Magazine

"[T]hat this novel cast a deep spell on me that has yet to subside. Clement relays Pearl’s trouble-strewn story in the kind of prose that gets called “poetic”: it’s taut, spare, musical, metaphor-laden, haunting, and every so often hits you so hard in the gut that you gasp." — Jonathan Miles (BookPage, "What They're Reading")

"It’s been a long time since I’ve been so mesmerized with a novel’s each next sentence. Jennifer Clement is one of our most inventive novelists. There’s no telling what she’ll see. Whatever it is, it’s something right in front of us, but—here is the magic trick—something we have never before seen. Gun Love is an amazement: fierce, inventive, tender." — Rick Bass

"Jennifer Clement is a master at creating worlds that feel like tiny dioramas —modern allegories, reflecting and responding to social issues while still feeling contained and mystical, like something you’d see inside of the world’s most ornate snow globe, or a theme park — that is, until politics invade these worlds, and these worlds become recognizable as ones that exist both on and off the page." — Miami Rail Review

"...Clement is a brilliant stylist; her figurative language is far more than fine; her metaphors and similes are superb; and together they create a haunting atmosphere—sometimes fey, occasionally whimsical, no stranger to tragedy but always heartfelt and spot-on, as are her beautifully realized, captivating characters. Though suigeneris, her work may remind some readers of Flannery O’Connor’s. Always evocative, it is an unforgettable knockout not to be missed." — Booklist (starred)

"Pearl's story takes place in a world both strange and familiar, in the fairy tale of her mother's imagination and in an America pockmarked by gun violence and poverty. Readers will root for Pearl to—somehow—reconcile the two visions, even as fate forces her hand. Clement's quiet tragedy is moving, unsettling, and filled with characters who will haunt you long after the story ends." — Kirkus

"Clement’s affecting and memorable novel is also an incisive social commentary that will give readers much to ponder." — Publishers Weekly

“Clement’s latest is made memorable by the resilient Pearl, whose worldview is shaped both by the harsh, gun-saturated realities of the trailer park and by her mother’s past with its piano lessons and fine china. This unusual and impressive novel is carried by her tough, lyrical voice.” — Library Journal

JENNIFER CLEMENT is the author of multiple books, including Widow Basquiat. She was awarded an NEA Literature Fellowship and the Sara Curry Humanitarian Award for Prayers for the Stolen. The president of PEN International, she currently lives in Mexico City.