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Editore: Dover Publications, Incorporated, 1972
ISBN 10: 0486202992ISBN 13: 9780486202990
Da: Better World Books, Mishawaka, IN, U.S.A.
Libro Prima edizione
Condizione: Good. 1st Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Nuovo - A partire da EUR 19,77
Usato - A partire da EUR 7,37
Scopri anche Brossura Prima edizione
Editore: Perls Galleries, NYC, 1959
Da: RogerCoyBooks, Chagrin Falls, OH, U.S.A.
Pamphlet. Condizione: Good. Jan. 5 - Feb. 7, 1959; Good to VG overall, interior is VG with no marks and minor shelfwear; Pamphlet; art gallery catalog.
Editore: Berlin: Paul Cassirer, 1920
Da: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.
Condizione: Fair. Zweite Auflage, reprints the 1910 Pan-Presse edition but the illustrations are less sharp and aside from the cover none of them are color; 94 pp., illustrated throughout; original light boards badly worn with long tear from bottom margin, general age toning, working copy only. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Editore: Perls Galleries, NYC, 1955
Da: RogerCoyBooks, Chagrin Falls, OH, U.S.A.
Pamphlet. Condizione: Used: Good. Nov. 14 - Dec. 24, 1955; there is a paperclip with a note to you from Klaus Perls thanking you for the loan of your painting to the gallery; Good to VG with minor shelfwear; closer to the VG side on that scale; binding is tight and pages crisp. 12 black/white reproductions.
Hardcover missing dustjacket, 32 pages of text followed by b/w illustrations and 34 color plates; poor condition; 4 inches of spine missing at bottom; small splits to spine at top and bottom. As is.
Editore: Paris : Ed. du Colombier, Collection: Grands Dessinateurs , 2., 1966
Da: PRISCA, Paris, Francia
Prima edizione
Couverture rigide. Condizione: Bon. Edition originale. In-4° , relié , 88 pages , nombreuses illustrations.
Editore: Galerie Lucy Krohg, Paris, 1960
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First edition. Exhibition brochure for a show that ran June 10 through July 13, 1960. Single small sheet folded once to create 4 pages. Features text in French by Claude Roger-Marx and Pierre Dubreuil. Includes 2 black and white illustrations and a checklist. Scarce ephemera.
Editore: Marion Koogler McNay Art Institute and University of Texas Press, 1964
Da: Whitledge Books, Austin, TX, U.S.A.
Libro
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good. Pascin, Jules (illustratore). JULES PASCIN'S CARIBBEAN SKETCHBOOK, with introduction by John Palmer Leeper, 107 mainly B/W sketches with eight in color, hardcover with unclipped dust jacket, 1964. BOOK CONDITION: near fine. The text block and illustrations are in fine condition, with no tears, dogears, or marks. There is no bookplate or signature of a prior owner. Not a library book or remainder. The tan cloth boards are in near fine condition (tiny bump of upper righthand corner). The dust jacket is in good condition (age-toning inside, tiny spots on front and back, white circle on front where price tag was affixed). 10 x 9, 184 pages, 26 ounces XX [From the dust jacket flaps] Jules Pascin (1885 - 1930) stands, like his friend Modigliani, in the great tradition of the romantic, bohemian artist. A charming, lavish host, Pascin was closely associated with the artists, musicians, and effervescent literati of the 1920's. The Bulgarian-born artist was a major figure in the School of Paris before coming to the United States, where he became a naturalized citizen. In the United States Pascin traveled extensively, and was particularly drawn to the southern states and to the Caribbean islands. He recorded his travels in brilliant, instantaneous pencil sketches, sometimes touching them with delicate washes of color. Dispassionately he painted field workers and the picturesque citizens of a tropical land steaming in the sun, mules and wagons waiting in the shade of palm trees, yachts swinging in motionless harbors. These drawings Pascin assembled into two scrapbooks, regarding them highly himself. After his suicide in 1930 one scrapbook passed into the collection of the Museum of Modern Art, New York, and the second became a prized treasure of the Marion Koogler McNay Art Institute of San Antonio. The McNay Art Institute, with the University of Texas Press, here presents one hundred and seven exquisite drawings from the scrapbook, eight of them in color, the first extensive publication of drawings by one of the major draughtsmen of the twentieth century. While Pascin himself was relatively impervious to the influence of other artists, he exerted a striking influence on American art of the 1920's and 1930's. Kuniyoshi, Ganso, Brook, Dehn, Biddle, and others whom he met in the United States all bear the imprint of his style, which they have generously acknowledged, and even of the subject matter to which he drew their attention. He was, Francis Biddle wrote, intensely of our fluid, contemporary world, suffering from its aimlessness, a child of its tolerant skepticism, free from traditions, but also without roots or hardy and impassioned prejudices. Henry McBride wrote touchingly: I had the greatest admiration for Pascin. I never met him without feeling his superiority. He was completely the artist. It was so natural for him to be an artist that unconsciously he complimented everyone he met by assuming that they, too, were artists. It was partly due to this sweetness in his character that he exerted such a great influence upon his fellow painters, particularly here in America where we are not used to so entire a devotion to the arts, and where it is so difficult to be an artist. It was due to his essential integrity as an artist, I think, that he died.
Editore: Marian Koogler McNay Art Inst. 1964, 1964
Da: Virginia Martin, aka bookwitch, Concord, CA, U.S.A.
Hardcover. Condizione: Very Good. Quarto, hardcover, VG with part of green dj laid in. Introduction by John Palmer Leeper. 106 pp. of Caribbean sketches by this romantic bohemian artist of the 1920's from Bulgaria who learned his art in Paris. He sketched field workers, mules, wagons, yachts and more. Book.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Jules Pascin (illustratore). 1st.Edition 1946, White cloth hardcover in the dust jacket, 64 page book with black & white illustrations . Condition : Very Good / dj is Very Good with repairs at the spine chipping and small piece missing at the top corner spine. Size: 4to - over 9¾" - 12" tall. Book.
Soft cover. Condizione: Near Fine. Thin 4to, b&w illus.vvcl1topbx2.
Hardcover. Condizione: Good. No Jacket. First Edition. 4to - over 9¾" - 12" tall. Book is in good condition. General shelf and handling wear; spine is loose; fraying to spine; smudging and wear to cover. Interior is clean.2 Color & 75 b/w Illustrations.
Editore: Editions du Columbier, 1967
Da: Jay W. Nelson, Bookseller, IOBA, Austin, MN, U.S.A.
Membro dell'associazione: IOBA
Libro
Hardcover. Condizione: Very Good. No Jacket. Couple light bumps. No jacket.
Editore: Monte Carlo, Imprimerie Monégasque, 1970, 1970
Da: Librairie Xavier Dufaÿ, LA COLLE SUR LOUP, Francia
In-8 (21 x 17), broché, couverture illustrée. Paperback. Catalogue de l'exposition; reproductions en noir et blanc, quelques-unes en couleurs. Très bon état.
Editore: Paris : Ed. du Colombier, Collection: Grands Dessinateurs , 2., 1966
Da: PRISCA, Paris, Francia
Prima edizione
Couverture rigide. Condizione: Bon. Edition originale. In-4° , relié , 88 pages , nombreuses illustrations.
Editore: Editions du Colombier
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.85.
Editore: Book Adventures Inc and Editions du Colombier and Arielli Editeur Paris, 1966
Da: ANARTIST, New York, NY, U.S.A.
Hardcover without dustjacket as issued, 92 pages, in English; very good condition, yellowing to covers; no internal marks. Foreign shipping may be extra.
Softcover staple bound, 12 pages, very good condition, no internal marks, clean and crisp.
Softcover staple bound, 8 pages, very good condition, no internal marks, clean and crisp.
Editore: Marion Koogler McNay Art Institute and University of Texas Press, 1964
Da: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 106 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Editore: Washington Irving Gallery, New York, 1959
Da: Clayton Fine Books, Shepherdstown, WV, U.S.A.
Libro Prima edizione
Soft cover. Condizione: Near Fine. First Edition. Near fine in original wrappers with a small discoloration on the front panel and a small corner crease.
Editore: Berlin : Eulenspiegel-Verlag,, 1981
Da: Edition H. Schroeder e.K., Wildflecken, BY, Germania
Libro Prima edizione
8° , Gewebe mit Schutzumschlag. 1. Aufl. 109 S. : überwiegend Ill. (z.T. farb.) ; 21 cm Das Buch ist in einem sehr guten, nahezu neuwertigen Zustand. Über Pascin: Der kleine Band istt ein überraschen reich illustrierter Einblick in das Werk Jules Pascins (1885-1930). Er war ein excellenter Maler, der im Schatten von Künstlern wie Picasso und Modigliani arbeitete. Als Spezialist für erotische Frauenakte wurden seiner Bilder parallel zu seiner depressiven Erkrankung immer düsterer. Sprache: Deutsch Gewicht in Gramm: 550.
Editore: Editions du Colombier, 1966
Da: MyLibraryMarket, Waynesville, OH, U.S.A.
Libro
Hardcover. Condizione: Very Good. ***Please Read*** French edition - Book shows light wear with no DJ - interior is tight and clean - size is about 9x10x1/2 inches - 88 pages - my shelf location - bn2-c-14*.
Editore: Paul Cassirer, Berlin, 1920
Da: Mare Booksellers ABAA, IOBA, Dover, NH, U.S.A.
Hard Cover. Condizione: Good. Stated Zweite Auflage (second edition). Paper covered boards with a slightly colored illustration by Pascin on the front cover. 94 pp. All text in German. A printing of an unfinished novel by Heinrich Heine. With line illustrations by Jules Pascin, a Bulgarian born painter considered a key figure in the Modernist art movement of Paris in the early 1900s, who often painted prostitutes and models. He committed suicide in 1930. GOOD condition. Moderate to heavy browning to the covers. Minor soiling and faint dampstaining along the lower portion of the front cover. Paper chipped and scuffed along the hinges and extremities. Paper browned in the interior.
Editore: Hoëbeke, 1995
ISBN 10: 2905292814ISBN 13: 9782905292810
Da: Ammareal, Morangis, Francia
Libro
Softcover. Condizione: Très bon. Ancien livre de bibliothèque. Petite(s) trace(s) de pliure sur la couverture. Salissures sur la tranche. Edition 1995. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Slightly creased cover. Stains on the edge. Edition 1995. Ammareal gives back up to 15% of this item's net price to charity organizations.
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Editore: University Art Museum, University of California, Berkeley, Berkeley, CA, 1966
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Prima edizione
Paperback. Condizione: Good. 1st. 1 volume (unpaged), illustrations (part colour); 22 cm. Good+. Firm binding, unmarked. Small stain/lower right corner, age toning. Size: 8vo.
Editore: New York : Parkstone Press,, 2004
ISBN 10: 1859958893ISBN 13: 9781859958896
Da: Edition H. Schroeder e.K., Wildflecken, BY, Germania
Libro
Pp. 96 S. : zahlr. Ill. ; 22 cm, 500 gr. Das Buch ist neu. Mit zahlreichen wunderbaren farbigen Abbildungen. Sprache: Deutsch Gewicht in Gramm: 550.
Editore: Marian Koogler McNay Art Inst. 1, 1964
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Very Good. unmarked, light shelfwear-NICE Standard-sized.
Editore: Neffe-Degandt Fine Art, London, 1999
Da: Colin Martin Books, Near Hull, EY, Regno Unito
Libro
Paperback. Condizione: Fine. 12 pages, 23 illustrations, mostly in colour. A Fine copy.
A Paris, chez Emile-Paul Frères / à l'enseigne de la folie, 1924. Un vol. au format in-12 (188 x 123 mm) de 144 pp., broché, sous couverture illustrée à rabats rempliés. Edition en partie originale ; parue concomitamment à celle de l'édition Champion) Elle s'ouvre sur un joli frontispice gravé à l'eau-forte par Jules Pascin. Un des exemplaires numérotés du tirage sur vergé à la forme de Blanchet-Kléber. ''M. Decalandre ferma son Ronsard et de prit à rêver d'un air mélancolique. Dans le miroir pendu au mur, il regardait de loin sa barbe blanche et songeait aux jours charmants mais lointains de sa jeunesse ; et l'on ignore point que le souvenir des heures agréables est une volupté pleine d'amertume''. Dos légèrement ridé et passé. Du reste, très belle condition.