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Editore: Theatre Communications Group, 1994
ISBN 10: 155936095XISBN 13: 9781559360951
Da: Red's Corner LLC, Tucker, GA, U.S.A.
Libro
Condizione: VeryGood. All orders ship by next business day! This is a used paperback book. Has wear on cover and/or pages. Book has no markings on pages. For USED books, we cannot guarantee supplemental materials such as CDs, DVDs, access codes and other materials. We are a small company and very thankful for your business!.
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Nuovo - A partire da EUR 7,92
Usato - A partire da EUR 1,23
Scopri anche Brossura Prima edizione
Editore: Bantam Books, Westminster, Maryland, U.S.A., 1981
ISBN 10: 0553142577ISBN 13: 9780553142570
Da: ! Turtle Creek Books !, Mississauga, ON, Canada
Libro
Mass Market Paperback. Condizione: Good. Some edgewear and creasing of spine and covers,as well some age toning,& some small tears, otherwise still a good reading copy.
Editore: New American Library, 1986
Da: Escape Routes Used Books, Dallas, TX, U.S.A.
Libro
Hardcover. Condizione: Very Good. BCE. Slight foxing on edges of pages.
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.65.
Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.65.
Editore: N.A.L., 1986
ISBN 10: 1127546325ISBN 13: 9781127546329
Libro
Condizione: Good. Good condition. Good dust jacket. Book Club Edition. (drama) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Editore: A Plume Book/New American Library, New York & Scarborough, ON, Canada, 1987
ISBN 10: 0452258693ISBN 13: 9780452258693
Da: gearbooks, The Bronx, NY, U.S.A.
Libro
Trade Paperback. Condizione: Very Good. Bruce Weber (Author Photo); Marilyn Ackerman (Design) (illustratore). 155 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Minimal, light, slight or very mild browning, tanning, foxing or discoloration on page edges, not affecting text.
Editore: New American Library, NY, 1989
ISBN 10: 0453006833ISBN 13: 9780453006835
Da: Grendel Books, ABAA/ILAB, Springfield, MA, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. Edited by Barry Daniels. First printing. Remainder mark on bottom edge, else fine in a fine dust jacket.
Editore: New American Library, 1986
Da: Top Notch Books, Tolar, TX, U.S.A.
Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Book Club (BCE/BOMC). Jacket and boards have only light wear. Pages are clean, text has no markings, binding is sound. Size: 8vo - 7¾" - 9¾" Tall.
Editore: New American Library, New York, 1989
ISBN 10: 0453006833ISBN 13: 9780453006835
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First edition. Edited by Barry Daniels. xii, 252pp. A remainder mark on the bottom edge, else fine in a fine dust jacket.
Editore: Random House Publishing Group 1984-05-01, New York, 1984
ISBN 10: 0553346113ISBN 13: 9780553346114
Da: Blackwell's, London, Regno Unito
Libro
paperback. Condizione: New. Language: ENG.
Editore: New American Library, 1989
ISBN 10: 0453006833ISBN 13: 9780453006835
Da: Austin Book Shop LLC, Richmond Hill, NY, U.S.A.
Libro Prima edizione
Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. 252pp Edited by Barry Daniels.
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Usato - A partire da EUR 9,49
Scopri anche Rilegato Prima edizione
Editore: New American Library, New York, 1989
ISBN 10: 0453006833ISBN 13: 9780453006835
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First edition. Edited by Barry Daniels. 252pp. Fine in a fine dust jacket.
Editore: NY: New American Library, 1989
Da: Peter Lenz Bookseller, Cohoes, NY, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Fine. Dust Jacket Included. First Edition. Fine hardcover in a Fine dj (remainder mark to lower outer page edge block). A nice copy - clean text, tight binding, and a clean and bright dj. First Edition, First Printing. Edited by Barry Daniels. 252pp.
Editore: New York Performance Foundation, New York, 1973
Da: Bolerium Books Inc., San Francisco, CA, U.S.A.
Rivista / Giornale Prima edizione
Paperback. 120p. + ads, essays, opinion, play scripts, performance photos, reviews, very good paperback theatre arts journal in pictorial wraps. Includes the first appearance of Shepard's "The Tooth of Crime". Also van Itallie's "Eat Cake!" and Robert Patrick's "Un Bel Di". Also Owens' essay "Mustard Gas: an interaction".
Editore: New American Library, New York, 1987
ISBN 10: 0453005306ISBN 13: 9780453005302
Da: Twice Sold Tales, Capitol Hill, Seattle, WA, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. First printing, January 1987. Quarter cloth boards, minor rubbing to extremities; a little sun fading along upper edges. Name inscription on half-title page. Irregular discoloring or staining to verso of half-title, and a bit on title: reminiscent of foxing. Minor wear and handling to dust jacket; flaps were creased but flattened now; jacket in mylar protector.
Editore: Dramatist's Play Service, Inc., New York, 2007
ISBN 10: 0822220652ISBN 13: 9780822220657
Da: Singularity Rare & Fine, Baldwinsville, NY, U.S.A.
Libro
Soft cover. Condizione: New. New. and pristine. See scans and description. New York: Dramatist's Play Service, Inc., 2007. 'When the World Was Green (A Chef's Fable)', by Joseph Chaikin and Sam Shepard. Acting Edition. 12mo, printed stapled wraps, 38 pp.(34 numbered + 1 + 3 pp New Play listings). New, and flawless. See all scans. A perfect example of the Acting Edition for this short, moving, 2-character Shepard piece. Ships in a new, sturdy, protective box - not a bag. L200.
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Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.
Editore: New York: AZX Publications, 1997., 1997
Da: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, U.S.A.
Condizione: Good. New York: AZX Publications, 1997. 1997. Good. - Small folio [14 inches high by 10-1/2 inches wide], unbound leaves laid into pictorial wrappers, as issued. The wraps are lightly rubbed & chipped with some rippling to the paper. There is a partially detached mailing label on the front wrap. 58 pages, unbound as issued. Full-page pictorial story titles in color. There is a small area of very light dampstaining to the bottom corners of the pages. Good. Francis Coppola explains in his introductory Letter to the Reader that this new magazine will publish only short stories and one-act plays. He emphasizes that stories will not be chosen because they seem to lend themselves to film adaptation but solely on the strength of the writer's voice and the quality of the writing. Each issue will include a short story commissioned by Coppola and based on a idea provided to the writer, and also a classic short story which has been successfully adapted to film. The magazine was later renamed Zoetrope: All- Story and has received every major short-fiction award, including the National Magazine Award for Fiction. Among the contents of this first issue are a commissioned story,"The Baker's Wife" by Sara Powers; an essay by David Thomson "What Happens Next? Hollywood and the short story"; and fiction by Nicola Barker, Joseph Chaikin and Sam Shepard, and Thom Jones. Rare.
Editore: NAL. NY 1989, 1989
Da: WAVERLEY BOOKS ABAA, Santa Monica, CA, U.S.A.
Prima edizione
Softcover. Condizione: Fine. Condizione sovraccoperta: No Dust Jacket. First Edition; First Printing. UNCORRECTED PROOF. Fine in plain orange printed wrappers.
Editore: Contemporary Films, New York, 1969
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage reference photograph from the 1969 film, showing Robert Frank, Peter Orlovsky, and Allen Ginsberg. Printed mimeo snipe affixed to the verso, along with the stamp of Israel Film Archive. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was restored and released by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 10 x 8 inches. Near Fine.
Editore: New Yorker Films, New York, 1969
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage studio still photograph taken on the set of the 1969 film, showing director Robert Frank capturing a passionate scene between two men. Stamp of photographer Tom Conroy on the verso. Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was restored and released by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 10 x 8 inches. Near Fine.
Editore: Contemporary Films, New York, 1969
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage reference photograph from the 1969 film, showing Allen Ginsberg with Peter and Julius Orlovsky. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was restored and released by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 8 x 10 inches. Near Fine.
Editore: Two Faces / New Yorker Films, New York, 1969
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Arte / Stampa / Poster
Vintage poster for the 1969 film, an experimental mix of documentary and fiction. Poster designed by Robert Frank. Director Robert Frank's first feature film, in which he follows poet Peter Orlvosky and his mentally ill brother Julius as they move through the late 1960s Beat scene, while Peter tries to care for his mostly catatonic brother. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin. The film examines the boundaries of reality and sanity, and features the screenwriting debut of Sam Shepard and the first feature film appearance of Christopher Walken. The film was restored and released by Steidl in 2007, along with a book publication outlining the film. From the Steidl book: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 26.75 x 20.75 inches. Near Fine.