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Editore: Smithsonian Institution, 1967
Da: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.
Condizione: Very Good. 165 pp., paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Editore: Smithsonian Institution Press, Washington, DC, 1967
Da: Olana Gallery, Brewster, NY, U.S.A.
Libro
Hardcover. Condizione: Good. X-private library, bookplate on inside front cover, good hardcover copy with d/j, published for the National Collection of Fine Arts, 165 pp, text in English and Spanish, illus. in B/W and 4/C with text throughout.
Editore: Smithsonian Institution Press, 1967
Da: ANARTIST, New York, NY, U.S.A.
Softcover, 166 pages; in English and Portuguese; good condition; covers rubbed and scuffed; spine worn; no internal marks. Foreign shipping may be extra.
Editore: Smithsonian, Was,hington, DC
Da: Alphaville Books, Inc., Hyattsville, MD, U.S.A.
Soft Cover. Condizione: Very Good. Owner's sig.and address at base of front flyleaf. 165pgs.
Editore: Smithsonian Institution Press, Washington, D.C., 1967
Da: G.J. Askins Bookseller, New Lebanon, NY, U.S.A.
Membro dell'associazione: SNEAB
Libro
Soft cover. Condizione: Very Good. 2 exhibits covered: 1) Edward Hopper, and 2) Environment USA 1957-1967. 166 pages, w/ Illust. Large bibliography. Text in Spanish and English. Very good condition - unmarked, tight and clean.
Editore: Smithsonian Institution Press fo, 1967
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.
Editore: Published for the national Collection of Fine Arts by the Smithsonian Institution Press, 1967
Da: Alplaus Books, Alplaus, NY, U.S.A.
Libro
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Acceptable. Hardbound with dust jacket. Text unmarked, very modest wear of book. Jacket in fair condition with 8-inch tear along edge of front cover, other edge wear.
Editore: Smithsonian Institution Press, Washington, D C., 1967
Da: G.J. Askins Bookseller, New Lebanon, NY, U.S.A.
Membro dell'associazione: SNEAB
Libro
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 166 page hardcover, w/many color and b/w illustrations. Green and white dust jacket is bright, crisp and clean, but price clipped on inside front flap. Full green cloth exterior with title on fornt cover and spine in silver. Interior is unmarked, tight and clean.
Editore: Smithsonian, Washington DC, 1967
Da: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, U.S.A.
Softcover. Condizione: g. Lg. 8vo. xvi, 8 plates, 166 pp. Soft covers. Some wearing to edges. Collection of biographies and statements of major American artists (Allan D'Arcangelo, Llyn Foulkes, Sante Graziani, Lowell Nesbit, Edward Ruscha, Andy Warhol and more) at the bienal de sao pulo. Illustrated with annotated images from works of the artists, with major emphasis on Edward Hopper. Text in English and Portuguese. In good condition.
Editore: Other, Other
Da: Hoffman Books, ABAA, IOBA, Columbus, OH, U.S.A.
Hardcover. Condizione: Very Good. Smithsonian Inst Press, Washington (1967). 165 pages, very good copy in dust jacket.
Editore: `967
Da: Anthony C. Hall, Bookseller ABA ILAB, Isleworth, MIDDX, Regno Unito
Hardback. Meio-Natural U.S.A.: 1957-1967. 181pp 8 coloured plates, illustrations in text, 4to Smithsonian Institution, Wash. D.C. 1967. Very good in very good dust jacket.
Editore: Washington: Smithsonian Institution Press., 1967
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster Copia autografata
Condizione: Good. 8vo. 165 pp. Soft Cover. Good. Illustrated paper wraps. Some shelf wear. Minor foxing on wraps. Tears at top edge and head of spine. Tear at top of free end paper. Else, pages and plates fine. Color and B&W plates throughout. Signed by Peter Selz on free end paper, and dated 1967.From the Collection of the Art Historian Peter Selz.