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Editore: Henningham Family Press, 2022
ISBN 10: 1916218628ISBN 13: 9781916218628
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Editore: Henningham Family Press, 2020
ISBN 10: 1999797493ISBN 13: 9781999797492
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Editore: Henningham Family Press 01 N, 2018
ISBN 10: 1999797442ISBN 13: 9781999797447
Da: AwesomeBooks, Wallingford, Regno Unito
Libro
Hardcover. Condizione: Very Good. Colour Experiments for Future Artists: 1 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
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Editore: Henningham Family Press, 2018
ISBN 10: 1999797418ISBN 13: 9781999797416
Da: WeBuyBooks, Rossendale, LANCS, Regno Unito
Libro
Condizione: VeryGood. Most items will be dispatched the same or the next working day.
Editore: Henningham Family Press, 2015
ISBN 10: 0956316689ISBN 13: 9780956316684
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Editore: henningham family press, 2019
ISBN 10: 1999797477ISBN 13: 9781999797478
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Editore: Henningham Family Press, 2020
ISBN 10: 199979740XISBN 13: 9781999797409
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Editore: Henningham Family Press, 2022
ISBN 10: 1916218687ISBN 13: 9781916218680
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New. Henningham, David (illustratore).
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Editore: Henningham Family Press, 2023
ISBN 10: 1916218679ISBN 13: 9781916218673
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Editore: Henningham Family Press, 2022
ISBN 10: 1916218652ISBN 13: 9781916218659
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
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Editore: Henningham Family Press, 2021
ISBN 10: 1916218636ISBN 13: 9781916218635
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Editore: Henningham Family Press, 2021
ISBN 10: 191621861XISBN 13: 9781916218611
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Editore: Henningham Family Press, 2022
ISBN 10: 1916218644ISBN 13: 9781916218642
Da: PBShop.store US, Wood Dale, IL, U.S.A.
Libro
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Editore: Henningham Family Press, 2023
ISBN 10: 1916218660ISBN 13: 9781916218666
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
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Editore: henningham family press, 2019
ISBN 10: 1999797434ISBN 13: 9781999797430
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
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Editore: Henningham Family Press
ISBN 10: 0956316603ISBN 13: 9780956316608
Da: Devils in the Detail Ltd, Oxford, Regno Unito
Libro
Condizione: Very Good. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? VERY GOOD light wear and scuff marks to jacket, pages in nice condition, shipped from the UK.
Editore: Henningham Family Press. First English edition, London, 2019
Da: Badger Books, Woollahra, NSW, Australia
Prima edizione
Softcover/Paperback. Condizione: Fine. First Edition. Animism among the everyday combined with DIY to make a lover; organised by the season and illustrated by the author. Pictorial wrappers. Fine. book.
Editore: London; Henningham Family Press;, 2019
Da: timkcbooks (Member of Booksellers Association), Penzance, Regno Unito
Membro dell'associazione: PBFA
Prima edizione Copia autografata
First edition, first printing. Signed by the author. Fine paperback original.
Editore: Henningham Family Press, 2011
ISBN 10: 0956316638ISBN 13: 9780956316639
Da: Normals Books & Records, Baltimore, MD, U.S.A.
Libro Prima edizione
Hardcover. Condizione: Very Good. 1st Edition. The Bible narrative explained in the context of secular ideas. Very good clean first edition. With full color fold-out chart of the Biblical narrative. Lime green bound-in ribbon. Small crease/bump at top center of front board.
Editore: Henningham Family Press, London, 2009
Da: Lux Mentis, Booksellers, ABAA/ILAB, Portland, ME, U.S.A.
Original Wraps. Condizione: Fine in Fine Slipcase. Limited Edition. Limited Edition. Original Wraps. "Julie Rafalski, Tahu Deans and David Henningham re-enacted Cold War psychic drawing experiments in a Leipzig building that had formerly housed an East German supercomputer. They also reconstructed the computer as a set to be reconfigured and photographed. These pictures, films, drawings and transcripts make up the content of this book. Operating like the distinct CMYK dots that merge optically to form a full-colour picture, the artists have worked together to take the viewer through corridor spaces, doctored photographs, and a psychic spying apparatus redolent of the building itself. Not every page is accessible without the use of a knife. The books are editioned using a vector-based system so that each book is assigned a non-hierarchical relationship to the others." [from the publisher]. Tight, bright, and unmarred. Color printed wraps, screenprinted images, complex structure, blue cloth slipcase. Square 8vo. np [27pp]. Illus. (color plates). Numbered limited edition of 30.
Editore: Henningham Family Press, London, 2011
Da: Lux Mentis, Booksellers, ABAA/ILAB, Portland, ME, U.S.A.
Mixed Forms. Condizione: Fine in Fine Box. Deluxe Limited Edition. Deluxe Limited Edition. Mixed Forms. "Henningham's mordant wit and avant-garde flair is part of another poetic tradition stretching back to Wyndham Lewis, Ezra Pound and the Dada pranksters of Zurich, although the first truly modernist treatment of the conflict in English emerged only in 1937 with the publication of David Jones's In Parenthesis." - David Collard, The Times Literary Supplement "Scientists have recently identified First World War casualties using saliva gleaned from the postage stamps on their letters home. Samples taken from their teeth, cross-referenced with a simple swab taken from living relatives, are also identifying soldiers' remains. These events mean that DNA technology has unintentionally transformed the memorial to the Unknown Soldier in Westminster Abbey forever. This unidentified casualty was greeted by thousands of mourners in 1920, aware that he might be their loved-one, and that in his anonymity he stood for all of the lost. For these mourners he represented the hubris of industrial war, which has destructive power beyond our comprehension as the phrase âKnown Unto God' testifies. Yet now, thanks to DNA science, he can be known to us again, which means he is the only soldier we would deliberately refrain from identifying. Does this mean that the Unknown Soldier has become a symbol for our failure to learn from the past? Do rituals of Remembrance actually enable us to forget? The million that marched through Westminster in 2003 to protest against the proposed Iraq War may well agree with that. Yet nobody is exempt from the difficulties and ironies that surround Remembrance. The politicians who lead us in Remembrance rites seem to be the first to forget. Often the rough sleepers who are shifted from the pavements before the parade takes place are, in fact, veterans. And there are people who cannot forget even if they want to, caring as they do for the wounded and missing their dead. These Unknown Soldiers continue to be a âregiment of warning' stationed all around the world. Military technology was not the only thing that caused the First World War to become so destructive. Such a vast body of men could not have been collected without advances in print technology and propaganda. In the light of this, Henningham Family Press created An Unknown Soldier in the form of printed poetry. Our generation only has third-hand knowledge of the First World War. The text of An Unknown Soldier includes many anecdotes passed down through the family, but many horrors were never put into words. There is a void at the heart of these stories like no-man's land itself. Therefore the poem is interrupted by distorted letter forms that cut through the page like trenches in a battlefield. They allude to the dazzle camouflage created by Modernist artists like Edward Wadsworth. This was a war that artists of every stripe were a part of, from Kipling to Wyndham Lewis via the Artist Rifles. These screenprints shout dumbly from the wall. If only all propaganda were this difficult to read. An Unknown Soldier is composed of three documents housed in an oblique wooden box. It begins with a book containing a screenprinted poem of instruction, Preparatory Oratory, which satirises official Remembrance with a voice like the bastard-child of BLAST and The Book of Common Prayer. The second part is a screenprinted text of thirteen panels. This body of text is An Unknown Soldier himself. His dialect is from no-man's-land, it is corrupted, the conjunctions decaying to leave the more solid vocabulary like disjointed bones. The lines of poetry never make it to the other side of the page, it is typeset like a body superimposed on a battlefield. The position of the stanzas on the wall reflects the human frame like a mirror. The poem has a head, a footnote and the phrase âRed Giant' where his heart used to be. Yet the poem also resembles a network of trenches seen from the sky, and the soldier takes the reader on a walk through âThe Capital' at his belly, then to âThe Nobiskrug' in his stomach, which is the tavern on the road to hell. This is where he spent the ferryman's wages. Then on to the âSemen's Mission', where we hear about a lost generation, and finally the âLabour Exchange' where Miners exchanged pits for trenches for a period. Part three, Funeral, March, is a triptych of verses that reflect on the author's family on the home front and in peacetime, bound as a small Order of Service. It concludes with an affirmation of enduring hope in technology; the tale of Grandad Jack, a veteran, making a copying machine. [artist statement]. Bright and unmarred. Screen-printed wooden box, loose printed sheet, bound pamphlet. Oblong 8vo. Illus. (b/w plates). Edition of 30 (first 10 are in screenprinted oblique wooden box including 13 screenprints and two pamphlets).