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Editore: Paul Holberton Publishing Ltd, United Kingdom, London, 2020
ISBN 10: 1907372784ISBN 13: 9781907372780
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. Canaletto's time in Mid-Georgian Britain has received much scholarly attention in the past. But this book places his work in a broader political and social context, linking his paintings and drawings with a growing sense of assurance and mission which the British nation was beginning to display - perhaps best represented by the works of William Hogarth. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Editore: Paul Holberton Publishing Ltd, United Kingdom, London, 2013
ISBN 10: 1907372474ISBN 13: 9781907372476
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. The Courtauld Gallery holds the most important collection of works in the United Kingdom by the Post-impressionist master Paul Gauguin (1841-1903). Assembled by the pioneering collector Samuel Courtauld (1876-1947), it includes major paintings and works on paper as well as one of the only two marble sculptures ever created by the artist. This special Summer display presents the complete collection together with the loan of two important works by Gauguin formerly in Courtauld's private collection: Martinique Landscape (Scottish National Gallery, Edinburgh), and Bathers at Tahiti (The Barber Institute of Fine Arts, Birmingham). Today, Gauguin is widely celebrated as one of the most important and popular artists of the 19th century. Collecting Gauguin offers an opportunity to consider the contribution of Samuel Courtauld in developing the artist's reputation in this country. In 1910, the critic Roger Fry organised his ground-breaking exhibition Manet and the Post-Impressionists, a major step in generating awareness of Gauguin in Britain. Fry included 37 works by Gauguin (more than by any other artist) and also chose a work by him for the poster, a rare surviving copy of which will be included in the display. Inspired by this exhibition, over the following decade the educationalist Michael Sadler (1861-1943) established the first substantial collection of works by Gauguin in this country. A small number of other individuals acquired single paintings, but Courtauld was the only other early collector to assemble a major group of works by Gauguin. Collecting Gauguin is the first of a new series of special Summer displays which will showcase aspects of The Courtauld's outstanding permanent collection. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Editore: Paul Holberton Publishing Ltd, United Kingdom, London, 2008
ISBN 10: 1903470722ISBN 13: 9781903470725
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. This catalogue accompanies the first ever loan exhibition of drawings from Waddesdon Manor, the house that was built and furnished by Ferdinand de Rothschild (1839-1989) to show off his works of art and to entertain the fashionable world. Most of the drawings gathered together for this exhibition have never been exhibited in pulbic and most have not been published. There are works by major French draughtsmen of the eighteenth century, including Francois Boucher, Jean-Honore Fragonard, Jean-Baptiste Greuze, Nicolas Lancret, Gabriel de Saint-Aubin and Jean-Baptiste Le Prince. Other artists are less familiar, Charles-Nicolas Cochin and Moreau le jeune among them, and it is hoped that this exhibition will introduce the visitor to the verve and originality of their work. The selection reflects the diversity of the Rothschild Collection and the overlapping preoccupations and unflagging curiosity of its creators. It encompasses observation and invention, academic learning and social comment, propaganda and reportage, and sheds light on the many different techniques and uses of drawing. It is hoped that scruntiny of these works outside their usual context will intrigue those that do not know Waddesdon, surprise those that do and give insight and pleasure to new audiences. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Editore: Paul Holberton Publishing Ltd, United Kingdom, London, 2003
ISBN 10: 1898519196ISBN 13: 9781898519195
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Editore: Paul Holberton Publishing Ltd, United Kingdom, London, 2012
ISBN 10: 1907372342ISBN 13: 9781907372346
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Editore: Paul Holberton Publishing Ltd, United Kingdom, London, 2018
ISBN 10: 1911300296ISBN 13: 9781911300298
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. Disillusioned with London life and struggling to make a living, Blake and his wife Catherine went in 1800 to live at the coastal village of Felpham, which the artist soon described as the sweetest spot on earth. Providing his principal encounters with both English rural life and the coast, the artists three years on the banks of the ocean informed his two greatest illustrated epic poems, Milton and Jerusalem, and continued to be refl ected in his work for the rest of his career: In Felpham, claimed Blake, I saw and heard Visions of Albion. In addition to the work associated with Felpham, this publication considers the collections of nearby Petworth House, which include three major paintings by Blake otherwise unrepresented in other grand houses of Britain along with related prints, books and archival material. The authors will examine the relationships formed by Blake in Sussex, particularly with the poet William Hayley, the sculptor John Flaxman, the 3rd Earl of Egremont (one of the great collectors of contemporary art in the early 19th century) and his estranged wife Elizabeth Ilive, who commissioned two of the three paintings now in Petworth. Blakes work for Hayley, often dismissed as illustrative and decorative, will be reappraised, and other projects he worked on in Sussex including remarkable biblical watercolours produced for his great London patron, Thomas Butts will be celebrated. Blakes infamous arrest and trial for sedition chief among the events profoundly aff ecting him in Sussex will be discussed. It is not widely known that Blake was tried fi rst in Petworth, where he was vouched for by the 3rd Earl. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Editore: Paul Holberton Publishing Ltd, United Kingdom, London, 2019
ISBN 10: 1911300601ISBN 13: 9781911300601
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. Ruskin, Turner & the Storm Cloud presents new writing on John Ruskins vision of art and its relationship with modern society and a changing environment. As part of the re-evaluation of Ruskin, 200 years after his birth in 1819, art historians, scientists, geographers, artists and curators explore the critics lifelong commitment to the painted landscapes of JMW Turner and his own artistic ambitions, as well as his prophetic concerns about the worlds darkening skies, pollution and psychological turbulence. In 1884 John Ruskin spoke out against an encroaching Storm Clouda darkening of the skies that he attributed to the belching chimneys of the modern world. The imagery of the pollution-stained sky also allowed Ruskin to articulate the internal distress that seemed to engulf him. His analysis of a blanched sun, blighted grass [and] blinded man overwhelmed by a modern plague-wind expresses both the visible climatic effects of industrialization and the effects of his own worsening mental health. Propelled by bereavement and anxieties over his religious faith, Ruskin became fixated on the skies, watching a cloud from four in the afternoon to four in the morning. This collection of essays examining Ruskins distinctive blend of meteorology, morality and social criticism brings new perspectives to one of the most influential and provocative thinkers of the nineteenth century. Ruskins deep and personal engagement with Turners work over many decades emerges as a recurring theme. In Turner, Ruskin found the ideal Modern Painteran artist whose powerful sunrises and sunsets, mountains and storms, inspired his own critical engagement with the natural world. As an artist and critic, Ruskin consistently challenged the way others experienced the world, encouraging his audiences to recognise and record natures transient beauty, and doing the same with his own intimately observed drawings of animals, flora and weathered buildings. As an environmentalist, he witnessed a natural world changing before his eyes, as the landscapes, buildings and skies he had seen as a young man came under threat. As an ethical provocateur ahead of his time, he condemned the throwaway culture that spoilt the towns and rivers he loved, urging his audiences to take responsibility for these changes. Responding to this rich and troubled legacy, the book brings together original contributions by artists and curators, art historians, geographers and climate change specialists, each of whom shares new insights into Ruskins concerns about the changing weather patterns and shifting landscapes of the modern world. Individual essays reconsider Ruskin alongside a range of contemporary issues, encompassing mental health, technology, environmental pollution and climate change. The collections diverse voices make a compelling case for the continuing relevance of Ruskin and his ways of seeing in the twenty-first century. Ruskin, Turner& the Storm Cloud accompanies a major exhibition at York Art Gallery and Abbot Hall Art Gallery. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Editore: Southampton Institute & Paul Holberton Publishing, London, 2003
ISBN 10: 1874011494ISBN 13: 9781874011491
Da: PsychoBabel & Skoob Books, Didcot, Oxfordshire, OXON, Regno Unito
Libro
paperback. Condizione: Good. Oversized paperback. Covers are a little scuffed. Edges, corners and spine ends are slightly shelfworn. Page block is slightly marked. Contents are sound, clean, clear. BW. Used.
Editore: Paul Holberton Publishing, London, 2010
Da: Possum Books, Charlottesville, VA, U.S.A.
Prima edizione
Cloth. Condizione: Good. First Edition. Essays and catalogue producd in connection with an exhibition at the Courtauld Gallery 18 February-16 May 2016. Covers and fore-edges stained with bluue paint and pale tea. Size: 4to.
Editore: Paul Holberton Publishing, London, 2003
ISBN 10: 1903470099ISBN 13: 9781903470091
Da: art longwood books, Gloucester, MA, U.S.A.
Libro Prima edizione
Soft Cover. Condizione: Near Fine. First Edition. softcover original, as issued; near fine; 127pp., including multi-page fold-out at back.; illustrated throughout in color, b/w.; scholarly treatment of the history of holbein's portrait. Size: 8vo - over 7¾" - 9¾" tall.
Editore: Paul Holberton Publishing, London, 2012
Da: Mare Booksellers ABAA, IOBA, Dover, NH, U.S.A.
Cloth. Condizione: Very Good. Condizione sovraccoperta: Very Good. Blue cloth in unclipped jacket. 144 pp. Color reproductions of paintings throughout. A book presenting the highlights of a collection of paintings, drawings, prints, books and memorabilia relating to Thomas Gainsborough and his time, including work by other artists. These are drawn from the collection of the Gainsborough's House Society, and is accompanied by critical essays on his life and work. VERY GOOD condition. Minor scuffing, fading and edgewear to the jacket. Previous owner's ink notation of date and price on the first endpaper.
Editore: Paul Holberton Publishing Ltd, United Kingdom, London, 2004
ISBN 10: 1903470269ISBN 13: 9781903470268
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. Lewis, Wyndham (illustratore). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Editore: Paul Holberton Publishing, London, 2014
ISBN 10: 1907372679ISBN 13: 9781907372674
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Libro Prima edizione
Paperback. Condizione: Fine. 1st. 200 pages, illustrations (some colour), portraits; 26 cm. Text in English, Dutch and German. Published in conjunction with an exhibition at the Suermondt-Ludwig-Museum in Aachen, 13 March to 22 June 2014 and the Rembrandt House Museum in Amsterdam, 12 July to 5 October 2014. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by special arrangement. Profusely illustrated. "Until recently, the Dutch draughtsman Johannes Thopas, who was born deaf in 1626, was only known to a small group of connoisseurs, dealers and collectors. However, his remarkable, subtle and technically refined portrait drawings on parchment deserve a wider audience. This handsome publication, the first devoted to his work, will prove to be an eye opener for many art lovers. Beginning with his earliest works (two beautiful miniatures of 1646 in the Fundation Custodia in Paris), Thopas produced incredibly refined drawings, usually with lead point on parchment. Apart from lead-point drawings, Thopas made several drawings in colour, on parchment and on Japanese paper. In most cases these drawings were done after life. Furthermore, he produced at least one brilliant copy after a painting by Cornelis Cornelisz van Haarlem, Venus, Mars and Cupid, and even a painting, portraying a dead child. He must have made more paintings and certainly more drawings than the seventy we know today (all of which are catalogued and illustrated here). In this exhibition his only known painting and the one mythological drawing are shown and accompanied by thirty of his most beautiful portraits, from private collections in the US, Canada, United Kingdom and the Netherlands, as well as museums, such as the Albertina in Vienna, the Amsterdam Rijksmuseum, the Stadel in Frankfurt and the Victoria and Albert Museum in London." - Publisher. Size: 4to.
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Editore: Paul Holberton Publishing, London, 2007
ISBN 10: 1903470579ISBN 13: 9781903470572
Da: Weller Book Works, A.B.A.A., Salt Lake City, UT, U.S.A.
Libro
Hardcover. Near fine with light bump to bottom edges of covers Very good with subtly rubbed edges. Lightly folded at rear joint. 4to.
Editore: Paul Holberton Publishing, London, UK, 2003
ISBN 10: 1903470102ISBN 13: 9781903470107
Da: Weller Book Works, A.B.A.A., Salt Lake City, UT, U.S.A.
Libro
Paperback with flaps. Condizione: Near fine. 4to.
Editore: Paul Holberton Publishing., London., 2003, 2003
Da: lobstabooks, Leiston, Regno Unito
Prima edizione
VG near fine. gift quality. no inscriptions. not price-clipped. first edition. beautiful clean crisp copy - from the personal library of a dealer/collector.
Editore: Paul Holberton Publishing, London UK, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: Chequamegon Books, Washburn, WI, U.S.A.
Libro
Paperback. Condizione: As New. 120 pages. accompanying the exhibition at Huntington Library San Marino CA. ".this book examines the significance of the mulitple versions of designs that the artist produced during the 1780s." ; 8 1/2 x 10 1/8 ".
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Editore: National Gallery of Art / The Frick Collection / Paul Holberton Publishing, Washington DC / New York / London, 2012
ISBN 10: 190737227XISBN 13: 9781907372278
Da: Chequamegon Books, Washburn, WI, U.S.A.
Libro
Hardcover. Condizione: As New in As New dust jacket. 210 pages. Pier Jacopo Alari Bonacolsi, known as Antico (c. 1455 - 1528) exemplifies the Renaissance passion for the revival of antiquity." priority and international shipping will be extra, please inquire. Contributions by Stephen J. Campbell, Davide Gasparotto, Dylan Smith, Richard E. stone, and Shelley Sturman. ; 8 x 11 1/4 ".
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Editore: Paul Holberton Publishing, London, 2012
ISBN 10: 1907372466ISBN 13: 9781907372469
Da: Chequamegon Books, Washburn, WI, U.S.A.
Libro
paperback. Condizione: near fine. 9 3/4 x 11 3/4 " 104 pages. a bit of rubbing to rear cover, otherwise in fine condition priority and international shipping will be extra, please inquire.
Editore: The Courtauld Galler / Paul Holberton Publishing, London, 2012
ISBN 10: 1907372326ISBN 13: 9781907372322
Da: Chequamegon Books, Washburn, WI, U.S.A.
Libro
paperback. Condizione: near fine. 8 1/2 x 10 1/8" 252 pages. tiny bump to upper front cover corner essays by Christopher Green Sophie Bowness Lee Beard. Catalogue by Christopher Green & Barnaby Wright.
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Editore: Paul Holberton Publishing Ltd, London, 2022
ISBN 10: 1913645215ISBN 13: 9781913645212
Da: Grand Eagle Retail, Wilmington, DE, U.S.A.
Libro
Paperback. Condizione: new. Paperback. This fascinating book tells the story of Thomas Hardy's Wessex. Accompanying a multi-venue exhibition, it explores Hardy's life and work. Internationally-acclaimed writer Thomas Hardy (1840-1928) is best known for his evocative depictions of the West Country landscape and its people, a region that he called 'Wessex'. What is less well-known is that this landscape also inspired him in many other aspects of his life, from campaigning for animal welfare to questioning the way society viewed women. This publication accompanies a blockbuster, multi-venue exhibition of the largest collection of Thomas Hardy memorabilia ever to be displayed at once. Hardy was born in the West Country, a few years after Queen Victoria came to the throne, and spent most of the rest of his life among its landscapes and people. When he turned writer, these landscapes and people re-emerged as his 'partly-real, partlydream country' of Wessex, in novels like Tess of the d'Urbervilles, Far from the Madding Crowd and Jude the Obscure. Hardy's Wessex now conjures up a range of mental images: from raging seas on the coast to haunting ancient monuments, Victorian towns packed with life to peaceful hillsides grazed by sheep. However, through Hardy's 87-year life span, the West Country changed dramatically. Ideas of the role of women, humans' responsibility to animals, the realities of war, love and courtship, superstition, social structure, religion and how people related to the world around them altered fundamentally. Through his stories and campaigning, Hardy was keen to show not only the rural idyll, but also the tensions and difficulties that lay beneath these views. These dramatic landscapes were the lens through which Hardy presented his worldview to his readership. From the tragedy of a woman saying farewell to her sailorlover on the end of Portland Bill, to a shepherd losing his flock and facing ultimate ruin on the chalky hills. The landscapes shape his characters, whose stories in turn convey his messages of social change to his readers. This publication will explore the impact that Wessex had on Hardy's works, and how living there shaped his views on the often divisive social issues of the period. Uniting beautiful landscape imagery with a selection of personal items from Hardy's life, this book will show you the man behind the literature. AUTHOR: Harriet Still has worked in museums with Thomas Hardy and his world of Wessex for the past decade, managing Hardy's Cottage for the National Trust as well as curating the Wessex Museums' Thomas Hardy exhibition 2022. 50 illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Editore: Paul Holberton Publishing Ltd, London, 2019
ISBN 10: 1911300695ISBN 13: 9781911300694
Da: Grand Eagle Retail, Wilmington, DE, U.S.A.
Libro
Paperback. Condizione: new. Paperback. Accompanying an exhibition of drawings by Guercino from the collection of the Morgan Library & Museum, Guercino: Virtuoso Draftsman offers an overview of the artist's graphic work, ranging from his early genre studies and caricatures, to the dense and dynamic preparatory studies for his paintings, and on to highly finished chalk drawings and landscapes that were ends in themselves. Giovanni Francesco Barbieri, known as Guercino (1591-1666), was arguably the most interesting and diverse draftsman of the Italian Baroque era, a natural virtuoso who created brilliant drawings in a broad range of media. The Morgan owns more than twenty-five works by the artist, and these are the subject of a focused exhibition, supplemented by a handful of loans from public and private New York collections, to be held at the Morgan in the autumn of 2019. This volume accompanies that exhibition. It includes an introductory essay on Guercino's work as a draftsman followed by entries on the Guercino drawings in the Morgan's collection. These include sheets from all moments of the artist's career. His early awareness of the work of the Carracci in Bologna is documented by figures drawn from everyday life as well as brilliant caricatures; two drawings for Guercino's own drawing manual are further testament to his interest in questions of academic practice. Following his career, a range of preparatory drawings includes studies made in connection with his earliest altarpieces as well as his mature masterpieces, including multiple studies for several projects, allowing the visitor to see Guercino's mind at work as he reconsidered his ideas. The Morgan's holdings also include studies for engravings as well as highly finished landscape and figure drawings that were independent works. Guercino: Virtuoso Draftsman continues a series of exhibition catalogues focused on highlights from the Morgan's collection. Previous volumes include Power and Grace: Drawings by Rubens, Van Dyck, and Jordaens and Thomas Gainsborough: Experiments in Drawing, also published by Paul Holberton. While some of the Morgan's Guercino drawings are well known, they have never been exhibited or published as a group, and the selection includes a number of new acquisitions. AUTHOR: John Marciari is Charles W. Engelhard Curator and Head of the Department of Drawings and Prints at the Morgan Library & Museum, New York. Accompanying an exhibition of drawings by Guercino from the collection of the Morgan Library & Museum, Guercino: Virtuoso Draftsman offers an overview of the artists graphic work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Editore: Paul HOLBERTON Publishing, London, 2012
ISBN 10: 1907372377ISBN 13: 9781907372377
Da: Parrott Books, Nr Faringdon, Regno Unito
Libro
Paperback. Condizione: Fine. No Jacket. First. 96pp FULL OF COLOUR illustrations. excellent reference/review. fine copy. Size: 4to - over 9¾" - 12" tall.
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Editore: Paul Holberton Publishing, London, 2002
ISBN 10: 1903470056ISBN 13: 9781903470053
Da: Antiquariat Weber, Neuendorf b. Elmshorn, SH, Germania
Membro dell'associazione: GIAQ
Libro
kart. 28 cm ; Großformatige englischsprachige Paperbackausgabe, 144 Seiten mit zahlreichen Abbildungen. Gutes Exemplar (good Condition). hw1068 ISBN: 1903470056.
Editore: London : Paul Holberton Publishing, 2015
ISBN 10: 190737289XISBN 13: 9781907372896
Da: MW Books, New York, NY, U.S.A.
Libro
Paperback Edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description; 190 pages : color illustrations ; 22 cm. Subjects; Mansion House (London, England). City of London (England). Lord Mayor. Goldwork England London ; Catalogs. Regalia (Insignia) England London. Silverware England London ; Catalogs. Insignia England London. Cultural property England London. 1 Kg.
Editore: Paul Holberton Publishing Ltd, London, 2020
ISBN 10: 1911300962ISBN 13: 9781911300960
Da: Grand Eagle Retail, Wilmington, DE, U.S.A.
Libro
Hardcover. Condizione: new. Hardcover. Isabella Stewart Gardner was a force to be reckoned with. She routinely went toe-to-toe with major museums and titans of industry to purchase masterpieces, created a museum unlike any other, and was famous for consistently flouting the social conventions that governed women of her time. However, this book shows another side of Isabella that readers may not expect: her love of dogs. Richly illustrated with images from the collection and museum archives, this volume allows readers to meet Isabella's favorite dogs (Kitty Wink and Patty Boy), see the litters of puppies she bred, and discover how her dogs were a comfort toward the end of her life. Usually stern in photographs, Isabella - like many people - could not help grinning when posing for photos with puppies. This enthusiasm for dogs is also evident in her correspondence. As she wrote excitedly to her art advisor Bernard Berenson: "Part of my morning's work has been to try to induce two 9 days old fox terrier pups to open their eyes again. They did once; and then clapped them to, with a vim that seemed to say that the box they found themselves in was not the ideal they had come to this world to see!" Even the dogs of celebrities - both celebrities she knew personally, and others she admired from afar - drew her attention. This book also features some of the many photographs she collected of notable people and their dogs, like the painter Anders Zorn and his adorable pup Mouche and Caesar, the regal and loyal terrier who belonged to King Edward VII and even marched in the monarch's funeral parade. From gathering Renaissance masterpieces to raising Fox Terriers, this book shows that Isabella approached all her tasks with enthusiasm and dedication. By learning about her love of her canine companions, this book presents a more human side of Isabella than typically on display. Isabella Stewart Gardner routinely went toe-to-toe with major museums and titans of industry to purchase masterpieces, created a museum unlike any other, and was famous for consistently flouting the social conventions that governed women of her time. This book shows another side of Isabella that readers may not expect: her love of dogs. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Editore: Paul Holberton Publishing Ltd, United Kingdom, London, 2015
ISBN 10: 1907372849ISBN 13: 9781907372841
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Libro
Paperback. Condizione: Very Good. Jonathan Richardson (1667 face=Tahoma>-1745) was one of 18th-century England's most significant cultural figures. A leading portrait painter and influential art theorist, he also amassed one of the period's greatest collections of drawings. But there was another, highly unusual dimension to his pursuits. In 1728, at the age of 61 and shortly before his retirement from professional life, Richardson began to create a remarkable series of self-portrait drawings. Not intended for public display, these works were unguarded explorations of his own character. In one of the most astonishing projects of self-examination ever undertaken by an artist, for over a decade Richardson repeatedly drew his own face. His self-portrait drawings are usually dated precisely, and they document, from month to month, his changing state of mind as much as his appearance. Many were drawn in chalks on large sheets of blue paper, from his reflection in the mirror. Some of these are bold and psychologically penetrating, while others, in which he regards his ageing features with gentle but unflinching scrutiny, are deeply touching. A further group of self-portraits is drawn with graphite on small sheets of fine vellum, and in these Richardson often presents himself in inventive and humorous ways, such as in profile, all'antica, as though on the face of a coin or medal; or crowned with bays, like a celebrated poet. Sometimes, too, he copies his image from oil paintings made decades earlier, in order to recall his appearance as a younger man. In this extraordinary series of self-portraits, Richardson offers a candid insight into his mind and personality. Together, these drawings create nothing less than a unique and compelling visual autobiography. This publication - which accompanies the first ever exhibition devoted to Richardson's self-portrait drawings, held in the new Gilbert and Ildiko Butler Drawings Gallery at the Courtauld - tells the story of these remarkable works Jonathan Richardson (1667-1745) was one of 18th-century England's most significant cultural figures. A leading portrait painter and influential art theorist, he also amassed one of the period's greatest collections of drawings. But there was another, highly unusual dimension to his pursuits. In 1728, at the age of 61 and shortly before his retirement from professional life, Richardson began to create a remarkable series of self-portrait drawings. Not intended for public display, these works were unguarded explorations of his own character. In one of the most astonishing projects of self-examination ever undertaken by an artist, for over a decade Richardson repeatedly drew his own face. His self-portrait drawings are usually dated precisely, and they document, from month to month, his changing state of mind as much as his appearance. Many were drawn in chalks on large sheets of blue paper, from his reflection in the mirror. Some of these are bold and psychologically penetrating, while others, in which he regards his ageing features with gentle but unflinching scrutiny, are deeply touching. A further group of self-portraits is drawn with graphite on small sheets of fine vellum, and in these Richardson often presents himself in inventive and humorous ways, such as in profile, all'antica, as though on the face of a coin or medal; or crowned with bays, like a celebrated poet. Sometimes, too, he copies his image from oil paintings made decades earlier, in order to recall his appearance as a younger man. In this extraordinary series of self-portraits, Richardson offers a candid insight into his mind and personality. Together, these drawings create nothing less than a unique and compelling visual autobiography. This publication - which accompanies the first ever exhibition devoted to Richardson's self-portrait drawings, held in the new Gilbert and Ildiko Butler Drawings Gallery at the Courtauld - tells the story of these remarkable works and puts them into the context of his other activities at this period of his life - in particular the self-searching poems he wrote during the same years and often on the same days as he made the drawings. An introductory essay is followed by focused discussions of each work in the exhibition. This part of the book explores the materials and techniques Richardson used, whether working in chalks on a large scale or creating exquisitely refined drawings on vellum. It will also reveal how Richardson modeled some of his portraits on old master prints and drawings, including works in his own collection by Rembrandt and Bernini. The publication brings together the Courtauld Gallery's fine collection of Richardson's drawings with key works in the British Museum, the National Portrait Gallery and the Fitzwilliam Museum. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Editore: Paul Holberton Publishing, London, in Association with Lund Humphries Publishers, Aldershot, 2002
ISBN 10: 0853318603ISBN 13: 9780853318606
Da: Antiquariat Weber, Neuendorf b. Elmshorn, SH, Germania
Membro dell'associazione: GIAQ
Libro
24 x 21 cm ; kart. ; 128 S. ; Englischsprachige Paperbackausgabe, 128 Seiten mit zahlreichen Abbildungen. Gutes Exemplar (good Condition). hw942 ISBN: 0853318603.
Editore: Paul Holberton Publishing Ltd, London, 2022
ISBN 10: 1913645312ISBN 13: 9781913645311
Da: Grand Eagle Retail, Wilmington, DE, U.S.A.
Libro
Paperback. Condizione: new. Paperback. This welcome catalogue accompanies The Courtauld's display of the work of Helen Saunders (1885-1963), the first monographic exhibition devoted to the artist in over 25 years. After years of obscurity, Helen Saunders: Modernist Rebel reconsiders her work as an important part of the story of British modernism. One of the first British artists to pursue abstraction, Saunders was one of only two women to join the Vorticists, the radical but short-lived art movement that emerged in London on the eve of the First World War. Her extraordinary drawings capture both the dynamism of modern urban life and the horrors of mechanised warfare. Following the war, she turned her back on Vorticism and pursued her own path, working in a more figurative style. Due in part to the loss of a significant portion of her oeuvre, including all of her Vorticist oil paintings, this remarkable artist fell into obscurity. Only in recent years has her work begun to be rediscovered and celebrated as an important piece of the story of British modernism. A group of 20 drawings gifted in 2016 by her relative, the artist and writer Brigid Peppin, has transformed The Courtauld into the largest public collection of Saunders's work in the world. These drawings trace Saunders's artistic development in the orbit of Roger Fry and the Bloomsbury Group, keenly attuned to contemporary art in France, to the ground-breaking abstraction of Vorticism. Following the disruption of the First World War and the disbanding of the Vorticists, Saunders turned again to figuration, developing her own approach to landscape, portraiture and still life which she would pursue alone for the rest of her career, exhibiting sporadically and never again joining a group of artists. This interest is revealed here in a group of landscapes created in L'Estaque in the south of France in the 1920s, which show the artist responding both to her surroundings as well as to predecessors such as Paul Cezanne and Georges Braque who had previously worked in the area. Featuring essays by Brigid Peppin and Jo Cottrell on Saunders's artistic education and career and on her relationship to the places of Vorticism in London, and catalogue entries by Rachel Sloan, this catalogue sheds light on an artist who steadily pursued her own path and whose contribution to the story of modern art is being newly appreciated. AUTHORS: Brigid Peppin studied Fine Art at the Slade and Art History at Birkbeck. She taught Art History at the University of East London and now practises as a painter. She is guardian of Helen Saunders's estate. Jo Cottrell is an arts consultant and a postgraduate research student in Art History at Birkbeck, University of London. Her research is concerned with Vorticism, gender, and the cosmopolitan spaces of the avant-garde in pre-First World War London. Rachel Sloan is Assistant Curator of Works on Paper at The Courtauld. 40 illustrations The first monographic exhibition and catalogue devoted to this important figure in British modernist art in over 25 years. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Editore: Paul Holberton Publishing Ltd, London, 2022
ISBN 10: 1913645363ISBN 13: 9781913645366
Da: Grand Eagle Retail, Wilmington, DE, U.S.A.
Libro
Paperback. Condizione: new. Paperback. A celebration of an artist whose under-sung legacy testifies to the enduring power of originality, drive, and devotion. Accompanying a major exhibition at Philip Mould & Company, Without Hands: The Art of Sarah Biffin presents the work of the remarkable 19th-century disabled artist who has been largely overlooked by art historians. This book and exhibition celebrate her art, life and legacy. Sarah Biffin (1784-1850) came from humble origins yet rose to fame in the 19thcentury as an exceptionally talented miniaturist. As a working-class, disabled female artist, her artworks - many proudly signed "without hands - are a testament to her talent and life-long determination. Despite her prolific artistic output, Biffin's life and work has been largely overlooked by art historians - until now. Sarah Biffin was born with the condition 'phocomelia', described on her baptism record as 'born without arms and legs'. She spent her childhood in her family home where she learnt to sew and write. Biffin was later contracted to Mr Dukes, who ran a travelling sideshow, where Biffin would write and paint in front of an audience. The crowds who turned up left with a sample of her writing included in the cost of their ticket. In her mid-twenties she began formal tuition with a miniature painter, William Marshall Craig, and from 1816 she set herself up as an independent artist. Biffin travelled extensively, exhibiting her artwork and taking commissions all over the country, before finally settling in Liverpool. Throughout her long and successful career, she took commissions from nobility and royalty, and recorded her own likeness across the years through exquisitely detailed self-portraits. Working closely with the project's advisor - artist Alison Lapper MBE (born with the same condition as Sarah Biffin 180 years later) - and consultant and contributor - Professor Essaka Joshua (specialist in Disability Studies at the University of Notre Dame, Indiana) - this publication and exhibition seek to celebrate Biffin as a disabled artist who challenged contemporary attitudes to disability. It is fully illustrated and includes original research. AUTHORS: Emma Rutherford is a Portrait Miniatures Consultant at Philip Mould & Company, London. Ellie Smith is a Researcher at Philip Mould & Company, London. Professor Essaka Joshua is a specialist in Disability Studies at the University of Notre Dame, Indiana. Alison Lapper is an artist, television presenter, speaker and Gig-Arts Charity patron, Brighton. Elle Shushan is a specialist, author, lecturer and museum consultant in Philadelphia. 50 colour illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability.