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Editore: Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: SecondSale, Montgomery, IL, U.S.A.
Libro
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Editore: Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Libro
Condizione: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.
Editore: Paul Holberton Publishing, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: HPB-Red, Dallas, TX, U.S.A.
Libro
Paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!.
Editore: Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: HPB-Emerald, Dallas, TX, U.S.A.
Libro
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Editore: Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: HPB-Ruby, Dallas, TX, U.S.A.
Libro
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Editore: Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: HPB-Diamond, Dallas, TX, U.S.A.
Libro
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Editore: Paul Holberton Publishing, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: Half Price Books Inc., Dallas, TX, U.S.A.
Libro
Paperback. Condizione: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Editore: Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Libro
Condizione: Used - Very Good. 2013. Paperback. Very Good.
Editore: Paul Holberton Publishing, London UK, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: Chequamegon Books, Washburn, WI, U.S.A.
Libro
Paperback. Condizione: As New. 120 pages. accompanying the exhibition at Huntington Library San Marino CA. ".this book examines the significance of the mulitple versions of designs that the artist produced during the 1780s." ; 8 1/2 x 10 1/8 ".
Editore: PAUL HOLBERTON, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: Chapitre.com : livres et presse ancienne, LAMNAY, Francia
Libro
Paperback. Condizione: OKAZ. Inspired by the recent identification of a third autograph version of Gainsborough's masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s. It demonstrates that without the pressure of exhibiting his work annually at the Academy and without a string of sitters waiting for their finished portraits, Gainsborough's work became more personal, more thoughtful. This study of the last phase of the artist's work is a totally fresh interpretation of not only The Cottage Door but other key works such as Mrs Sheridan and Diana and Acteon.Gainsborough's creative energies changed around 1780. He became restless and wanted to promote his landscape painting more effectively. He started to paint coastal scenes using an innovative painting technique to depict the water and he embarked on a series of 'fancy' pictures that he would position him as a descendant of an Old Master tradition. He was never happy with the constraints of the Royal Academy and he was at odds with the dictatorial opinions promoted by its president, Sir Joshua Reynolds. Removing himself from the Academy enabled him finally to do what he wanted.He began to turn to portrait compositions that he had developed and refined over a number of years. With subtle alterations they could be made suitable for a variety of sitters. The subtlety of his skilled observation was less easy to accommodate in standard-sized full-length canvases and in these portraits he sometimes resorted to rhetoric gesture that fought against the closely observed likenesses in his best portraits. The margin between 'fancy' pictures and portraits became blurred and the categorization of some of these paintings changed while they were on the easel. Always finding composition difficult, rather than begin something new he often revisited earlier designs that had pleased him. He would paint them again and make slight changes of tone and emphasis that would radically change the concept and intention of the design. The subject matter in some of his late paintings veers towards the autobiographical and shows a certain rift between him and his family.Hugh belsey is currently Senior Research Fellow at the Paul Mellon Centre for Studies in British Art with the task of writing the definitive catalogue of portraits by Thomas Gainsborough. - Nombre de page(s) : 128 - Poids : 560g - Genre : Monographie / Histoire de l'art / Essais / Dictionnaires.
Editore: Paul Holberton Publishing March 2020, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: 2nd Act Books, Charlottesville, VA, U.S.A.
Libro
Trade Paperback. Condizione: Used - very good.
Editore: Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: As New. Unread book in perfect condition.
Editore: Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: Books Unplugged, Amherst, NY, U.S.A.
Libro
Condizione: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 1.19.
Editore: Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
Libro
Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days. Inspired by the recent identification of a third autograph version of Gainsborough's masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s.
Editore: Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: GreatBookPrices, Columbia, MD, U.S.A.
Libro
Condizione: New.
Editore: Paul Holberton Publishing, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: Pearlydewdrops, Streat, Regno Unito
Libro
Paperback. Condizione: New. Shipped from the UK within 2 business days of order being placed.
Editore: Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Libro
Condizione: New.
Editore: Paul Holberton Pub, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: Revaluation Books, Exeter, Regno Unito
Libro
Paperback. Condizione: Brand New. 128 pages. 10.08x8.43x0.71 inches. In Stock.
Editore: Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: Gallix, Gif sur Yvette, Francia
Libro
Condizione: Neuf.
Editore: Paul Holberton Publishing Ltd, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
Libro
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Editore: Paul Holberton Publishing, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: AHA-BUCH, Einbeck, Germania
Libro
paperback. Condizione: Gebraucht. Gebraucht - Sehr gut SG - Ungelesenes Mängelexemplar, gestempelt, mit leichten Lagerspuren - Inspired by the recent identification of a third autograph version of Gainsborough¿s masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s. It demonstrates that without the pressure of exhibiting his work annually at the Academy and without a string of sitters waiting for their finished portraits, Gainsborough¿s work became more personal, more thoughtful. This study of the last phase of the artist¿s work is a totally fresh interpretation of not only The Cottage Door but other key works such as Mrs Sheridan and Diana and Acteon.Gainsborough¿s creative energies changed around 1780. He became restless and wanted to promote his landscape painting more effectively. He started to paint coastal scenes using an innovative painting technique to depict the water and he embarked on a series of¿fancy¿ pictures that he would position him as a descendant of an Old Master tradition. He was never happy with the constraints of the Royal Academy and he was at odds with the dictatorial opinions promoted by its president, Sir Joshua Reynolds. Removing himself from the Academy enabled him finally to do what he wanted.He began to turn to portrait compositions that he had developed and refined over a number of years. With subtle alterations they could be made suitable for a variety of sitters. The subtlety of his skilled observation was less easy to accommodate in standard-sized full-length canvases and in these portraits he sometimes resorted to rhetoric gesture that fought against the closely observed likenesses in his best portraits. The margin between¿fancy¿ pictures and portraits became blurred and the categorization of some of these paintings changed while they were on the easel. Always finding composition difficult, rather than begin something new he often revisited earlier designs that had pleased him. He would paint them again and make slight changes of tone and emphasis that would radically change the concept and intention of the design. The subject matter in some of his late paintings veers towards the autobiographical and shows a certain rift between him and his family.
Editore: Paul Holberton Publishing, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: AHA-BUCH GmbH, Einbeck, Germania
Libro
paperback. Condizione: Neu. Neu Neuware auf Lager, Sofortversand - Inspired by the recent identification of a third autograph version of Gainsborough¿s masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s. It demonstrates that without the pressure of exhibiting his work annually at the Academy and without a string of sitters waiting for their finished portraits, Gainsborough¿s work became more personal, more thoughtful. This study of the last phase of the artist¿s work is a totally fresh interpretation of not only The Cottage Door but other key works such as Mrs Sheridan and Diana and Acteon.Gainsborough¿s creative energies changed around 1780. He became restless and wanted to promote his landscape painting more effectively. He started to paint coastal scenes using an innovative painting technique to depict the water and he embarked on a series of¿fancy¿ pictures that he would position him as a descendant of an Old Master tradition. He was never happy with the constraints of the Royal Academy and he was at odds with the dictatorial opinions promoted by its president, Sir Joshua Reynolds. Removing himself from the Academy enabled him finally to do what he wanted.He began to turn to portrait compositions that he had developed and refined over a number of years. With subtle alterations they could be made suitable for a variety of sitters. The subtlety of his skilled observation was less easy to accommodate in standard-sized full-length canvases and in these portraits he sometimes resorted to rhetoric gesture that fought against the closely observed likenesses in his best portraits. The margin between¿fancy¿ pictures and portraits became blurred and the categorization of some of these paintings changed while they were on the easel. Always finding composition difficult, rather than begin something new he often revisited earlier designs that had pleased him. He would paint them again and make slight changes of tone and emphasis that would radically change the concept and intention of the design. The subject matter in some of his late paintings veers towards the autobiographical and shows a certain rift between him and his family.
Editore: Paul Holberton Publishing, 2020
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: GreatBookPricesUK, Castle Donington, DERBY, Regno Unito
Libro
Condizione: As New. Unread book in perfect condition.
Editore: Paul Holberton Publishing Ltd, London, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: AussieBookSeller, Truganina, VIC, Australia
Libro
Paperback. Condizione: new. Paperback. Inspired by the recent identification of a third autograph version of Gainsboroughs masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s. It demonstrates that without the pressure of exhibiting his work annually at the Academy and without a string of sitters waiting for their finished portraits, Gainsboroughs work became more personal, more thoughtful. This study of the last phase of the artists work is a totally fresh interpretation of not only The Cottage Door but other key works such as Mrs Sheridan and Diana and Acteon.Gainsboroughs creative energies changed around 1780. He became restless and wanted to promote his landscape painting more effectively. He started to paint coastal scenes using an innovative painting technique to depict the water and he embarked on a series of`fancy pictures that he would position him as a descendant of an Old Master tradition. He was never happy with the constraints of the Royal Academy and he was at odds with the dictatorial opinions promoted by its president, Sir Joshua Reynolds. Removing himself from the Academy enabled him finally to do what he wanted.He began to turn to portrait compositions that he had developed and refined over a number of years. With subtle alterations they could be made suitable for a variety of sitters. The subtlety of his skilled observation was less easy to accommodate in standard-sized full-length canvases and in these portraits he sometimes resorted to rhetoric gesture that fought against the closely observed likenesses in his best portraits. The margin between`fancy pictures and portraits became blurred and the categorization of some of these paintings changed while they were on the easel. Always finding composition difficult, rather than begin something new he often revisited earlier designs that had pleased him. He would paint them again and make slight changes of tone and emphasis that would radically change the concept and intention of the design. The subject matter in some of his late paintings veers towards the autobiographical and shows a certain rift between him and his family. Inspired by the recent identification of a third autograph version of Gainsboroughs masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Editore: Paul Holberton Publishing Ltd, London, 2013
ISBN 10: 1907372504ISBN 13: 9781907372506
Da: CitiRetail, Stevenage, Regno Unito
Libro
Paperback. Condizione: new. Paperback. Inspired by the recent identification of a third autograph version of Gainsboroughs masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s. It demonstrates that without the pressure of exhibiting his work annually at the Academy and without a string of sitters waiting for their finished portraits, Gainsboroughs work became more personal, more thoughtful. This study of the last phase of the artists work is a totally fresh interpretation of not only The Cottage Door but other key works such as Mrs Sheridan and Diana and Acteon.Gainsboroughs creative energies changed around 1780. He became restless and wanted to promote his landscape painting more effectively. He started to paint coastal scenes using an innovative painting technique to depict the water and he embarked on a series of`fancy pictures that he would position him as a descendant of an Old Master tradition. He was never happy with the constraints of the Royal Academy and he was at odds with the dictatorial opinions promoted by its president, Sir Joshua Reynolds. Removing himself from the Academy enabled him finally to do what he wanted.He began to turn to portrait compositions that he had developed and refined over a number of years. With subtle alterations they could be made suitable for a variety of sitters. The subtlety of his skilled observation was less easy to accommodate in standard-sized full-length canvases and in these portraits he sometimes resorted to rhetoric gesture that fought against the closely observed likenesses in his best portraits. The margin between`fancy pictures and portraits became blurred and the categorization of some of these paintings changed while they were on the easel. Always finding composition difficult, rather than begin something new he often revisited earlier designs that had pleased him. He would paint them again and make slight changes of tone and emphasis that would radically change the concept and intention of the design. The subject matter in some of his late paintings veers towards the autobiographical and shows a certain rift between him and his family. Inspired by the recent identification of a third autograph version of Gainsboroughs masterpiece The Cottage Door, this book examines the significance of the multiple versions of designs that the artist produced during the 1780s. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.