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Editore: Museum of Modern Art, 1979
ISBN 10: 0870702165ISBN 13: 9780870702167
Da: BookHolders, Towson, MD, U.S.A.
Libro
Condizione: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Reprint ] Publisher: Museum of Modern Art Pub Date: 6/1/1979 Binding: Paperback Pages: 144 Reprint edition.
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Scopri anche Brossura Prima edizione
Editore: Museum of Modern Art, New York, 1979
Da: J. Lawton, Booksellers, Readville, MA, U.S.A.
Membro dell'associazione: IOBA
Paperback. Condizione: Very good condition. Oblong 142p., illus. SOFTCOVER with black & white illus.
Editore: New York: Museum of Modern Art (1979), 1979
Da: WellRead Books A.B.A.A., Northport, NY, U.S.A.
oblong 8vo., stiff red, black and white pictorial wraps, 144 pages; over 100 illustrations of paintings, sculpture, photography of the 1920's, very good.
Editore: New York 1979, 1979
Da: EDITORIALE UMBRA SAS, Foligno, PG, Italia
Condizione: UsatoBuono. Bross.con cop. ill., cm 23x27,5, pp 142, moltissime tavv. in b/n.
Editore: New York : Museum of Modern Art, 1979
Da: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germania
Libro
Condizione: Sehr gut. 142 S. Einband berieben. - During the decade, in the visual and performing arts and in literature, modernism became established as a philosophy and a creed. In architecture, an International Style was born. Today, however, it is the jazz age, the roaring twenties, the crazy years, and the golden ones that are nostalgically recalled. The economic disasters and political unrest of the period are easily forgotten. It was the best and the worst of times. The period, it must be remembered, also sustained several contradictory movements, for instance, Dada and Purism. The decade begins with the founding of the Bauhaus in Weimar in 1919. With its artists of several nationalities, the Bauhaus achieved a successful integration of all the arts. This junction became a focal synthesis, an environment that combined craft and the machine, the fine as well as the applied arts. Opposites abound in the arts of the twenties. For the theater, early in the decade, a Czech writer invented the word "robot." The term swiftly achieved universal acceptance, and the robot became one symbol of the age. But this was still the time of Diaghilev, who died in 1929; and in the same year, Mickey Mouse was born. The Museum of Modern Art opened its doors to the public in November 1929 with its first loan exhibition, "Cézanne, Gauguin, Seurat, van Gogh." Save for a single drawing and a few prints, the Museum itself owned nothing. Its chief asset was, and remained, its founding director, Alfred H. Barr, Jr. More than any other person in the twentieth century, he influenced the way we look at the art of our time. His concept of modernism as an integration of all the arts had evolved during the 1920s. Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. Abb. Originalbroschur.
Editore: THE MUSEUM OF MODERN ART NY 01/01/1979, 1979
Da: Libreria Hellisbook, Milano, MI, Italia
Condizione: buona.
Editore: The Museum of Modern Art, New York, 1979
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Prima edizione
Softcover. Condizione: Near Fine. First edition. Oblong quarto. 142pp. Illustrated with black & white photographs. Moderate rubbing to the wraps, near fine. From the library of the artists Ben Shahn and Bernarda Bryson Shahn, with an estate label designed by their son, Jonathan Shahn.
Editore: New York, New York, U.S.A.: Museum of Modern Art, 1979
ISBN 10: 0870702165ISBN 13: 9780870702167
Da: Michael Moons Bookshop, PBFA, Whitehaven, CUMBR, Regno Unito
Membro dell'associazione: PBFA
Libro Prima edizione
Soft cover. Condizione: Very Good. 1st Edition. 1st edition, 1979. Landscape format. Pictorial covers a little rubbed at the edges. Pages a little age-browning, otherwise clean & tight. No inscriptions. Well illustrated in black & white. With a chronology from 1919-1930 based on Moscow, Weimar, Zurich, Leiden, Berlin, Rome, New York, Cologne, etc. 144 pages.
Editore: New York, The Museum of Modern Art,, 1979
Da: Studio Bibliografico Marini, ROMA, RM, Italia
Brossura. Condizione: Molto buono (Very Good). A cura di William S. Lieberman. Numerose illustrazioni in bianco e nero . 8vo. pp. 144. . Molto buono (Very Good). . . . Book.
Editore: The museum of modern art, NEW YORK, 1979
Da: Biblioteca di Babele, Tarquinia, VT, Italia
Condizione: BUONO USATO. INGLESE Inglese, brossura editoriale flessibile, illustrata, con segni di usura alle punte ed usura per scaffalatura, pagine riccamente illustrate ed in buonissimo stato di conservazione, leggero segno di piega all'angolo sup.di alcune carte. Numero pagine 142.
Condizione: Buone. b/n (illustratore). buone, lievissimi danni alla copertina.
Editore: Museum of Modern Art, New York, 1984
ISBN 10: 0870702165ISBN 13: 9780870702167
Da: Rare Book Cellar, Pomona, NY, U.S.A.
Libro Prima edizione
Softcover. First Edition; First Printing. Near Fine in wraps. ; 11 X 0.5 X 9 inches; 144 pages.
Da: DMBeeBookstore, Buenos Aires, BA, Argentina
Tapa Blanda. Condizione: Bien. FOTOS: No dude en pedir mas imagenes. Es de segunda mano, como se ve en la foto, puede preguntar mas detalle del ejemplar.